United States -- Social life and customs -- Fiction
The new house was of rough-hewn red sandstone, combining solid dignity
and some artistic merit, for Benham had not stood still architecturally
speaking. The River Drive was a grotesque, yet on the whole encouraging
exhibit. Most of the residences had been designed by native talent, but
under the spur of experiment even the plain, hard-headed builders had
been constrained to dub themselves "architects," and adopt modern
methods; and here and there stood evidences that the seed planted by
Mrs. Hallett Taylor and Littleton had borne fruit, for Benham possessed
at least half a dozen private houses which could defy criticism.
The one selected by Mr. Parsons was not of these half dozen; but the
plain, hard-headed builder who had erected it for the original owner was
shrewd and imitative, and had avoided ambitious deviations from the type
he wished to copy--the red sandstone, swell front variety, which ten
years before would have seemed to the moral sense of Benham unduly
cheerful. Mr. Parsons was so fortunate as to be able to buy it just
after it had been completed, together with a stable and half an acre of
ground, from one of the few Benhamites whose financial ventures had
ended in disaster, and who was obliged to sell. It was a more ambitious
residence than Mr. Parsons had desired, but it was the most available,
inasmuch as he could occupy it at once. It had been painted and
decorated within, but was unfurnished. Mr. Parsons, as a practical
business man, engaged the builder to select and supply the bedroom and
solid fittings, but it occurred to him to invite Selma to choose the
furnishings for what he called the show rooms.
Selma was delighted to visit once more the New York stores, free from
the bridle of Wilbur's criticism and unrestrained by economy. She found
to her satisfaction that the internal decoration of the new house was
not unlike that of the Williamses' first habitation--that is, gay and
bedizened; and she was resolved in the selection of her draperies and
ornaments to buy things which suggested by their looks that they were
handsome, and whose claim to distinction was not mere sober
unobtrusiveness. She realized that some of her purchases would have made
Wilbur squirm, but since his death she felt more sure than ever that
even where art was concerned his taste was subdued, timid, and
unimaginative. For instance, she believed that he would not have
approved her choice of light-blue satin for the upholstery of the
drawing-room, nor of a marble statue--an allegorical figure of Truth,
duly draped, as its most conspicuous ornament.
Public-domain text, read in full here on John Shaqi.
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