Detective and mystery stories, English; English fiction -- 20th century; Short stories, English
"And why did she throw him over? Because old Thornton Ashley died
under mysterious circumstances, and Philip Ashley was under a cloud
because of it. Any one could have foreseen that that particular
woman would throw him over the very moment that suspicion fell upon
him."
"But Charles----" I began.
"Exactly," he broke in, excitedly, "it was Charles who benefited by
the crime. It was he who inherited the fortune."
"But, by the new will he would have inherited anyhow. Then, why in
the world----"
"You surely don't believe in that new will, do you? The way in which
I marshalled the facts before you ought to have paved the way for
more intelligent reasoning."
"But Mr. Triscott----" I argued.
"Ah, yes," he said, "Mr. Triscott--exactly. The whole thing could
only be done in partnership, I admit. But does not everything point
to a partnership in what, to my mind, is one of the ugliest crimes in
our records? You ought to be able to follow the workings of Charles
Ashley's mind, a mind as tortuous as the body that held it. Let me
put the facts once more briefly before you. While Philip obstinately
remained a bachelor, all was well. Charles stuck to the old miser,
carefully watching over his interests lest they become jeopardised.
But presently, Lady Peet-Jackson became a widow and Philip gaily
announced his engagement. From that hour Charles, of course, must
have seen the fortune on which he had already counted slipping away
irretrievably from his grasp. Can you not see in your mind's eye
that queer, misshapen creature setting his crooked brain to devise a
way out of the difficulty? Can you not see the plan taking shape
gradually, forming itself slowly into a resolve--a resolve to stop
his brother's marriage at all costs? But how? Philip, passionately
in love with Muriel Peet-Jackson, having won her after years of
waiting, was not likely to give her up. No, but _she_ might give
_him_ up. She had done it once for the sake of ambition, she might
do it again if ... if ... well, Charles Ashley, obscure, poor,
misshapen, was not likely to find a rival who would supplant his
handsome brother in any woman's affections. Certainly not! But
there remained the other possibility, the possibility that Philip,
poor--or, better still, disgraced--might cease to be a prize in the
matrimonial market. Disgraced! But how? By publicity? By crime?
Yes, by crime! Now, can you see the plan taking shape?
Public-domain text, read in full here on John Shaqi.
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