Unspoken Sermons, Series I., II., and III.MacDonald, George
Religion
Unspoken Sermons, Series I., II., and III.
MacDonald, George
Sermons, English -- 19th century
Ages before the birth of Jesus, while, or at least where yet even Moses
and his law were unknown, the suffering heart of humanity saw and was
persuaded that nowhere else lay its peace than with the first, the
last, the living one:--
_O that thou woudest hide me in the grave,... and remember me!...
Thou shalt call, and I will answer thee: thou wilt have a desire to
the work of thine hands_.
THE VOICE OF JOB.
'_O that thou wouldest hide me in the grave, that thou wouldest keep
me secret, until thy wrath be past, that thou wouldest appoint me a set
time, and remember me! If a man die, shall he live again? all the days
of my appointed time will I wait, till my change come. Thou shalt call,
and I will answer thee: thou wilt have a desire to the work of thine
hands_.'--Job xiv. 13-15.
The book of Job seems to me the most daring of poems: from a position
of the most vantageless realism, it assaults the very citadel of the
ideal! Its hero is a man seated among the ashes, covered with loathsome
boils from head to foot, scraping himself with a potsherd. Sore in
body, sore in mind, sore in heart, sore in spirit, he is the instance-type
of humanity in the depths of its misery--all the waves and billows
of a world of adverse circumstance rolling free over its head. I would
not be supposed to use the word _humanity_ either in the abstract, or
of the mass concrete; I mean the humanity of the individual endlessly
repeated: Job, I say, is _the human being_--a centre to the sickening
assaults of pain, the ghastly invasions of fear: these, one time or
another, I presume, threaten to overwhelm every man, reveal him to
himself as enslaved to the external, and stir him up to find some way
out into the infinite, where alone he can rejoice in the liberty that
belongs to his nature. Seated in the heart of a leaden despair, Job
cries aloud to the Might unseen, scarce known, which yet he regards as
the God of his life. But no more that of a slave is his cry, than the
defiance of Prometheus hurled at Jupiter from his rock. He is more
overwhelmed than the Titan, for he is in infinite perplexity as well as
pain; but no more than in that of Prometheus is there a trace of the
cowardly in his cry. Before the Judge he asserts his innocence, and
will not grovel--knowing indeed that to bear himself so would be to
insult the holy. He feels he has not deserved such suffering, and will
neither tell nor listen to lies for God.
Public-domain text, read in full here on John Shaqi.
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