Unveiling a Parallel: A RomanceJones, Alice Ilgenfritz
Science
Unveiling a Parallel: A Romance
Jones, Alice Ilgenfritz
Feminist fiction; Mars (Planet) -- Fiction; Science fiction; Utopian fiction
In the meantime, an event occurred which further illustrated the
social conditions in Paleveria. Claris, the wife of Massilla, died
very suddenly, and I was astonished at the tremendous sensation the
circumstance occasioned throughout the city. It seemed to me that the
only respect it was possible to pay to the memory of such a woman must
be that which is expressed in absolute silence,--even charity could
not be expected to do more than keep silent. But I was mistaken,
Claris had been a woman of distinction, in many ways; she was
beautiful, rich, and talented, and she had wielded an influence in
public and social affairs. Immediately, the various periodicals in
Thursia, and in neighboring cities, flaunted lengthy eulogistic
obituaries headed with more or less well executed portraits of the
deceased. It seemed as if the authors of these effusions must have run
through dictionaries of complimentary terms, which they culled
lavishly and inserted among the acts and facts of her life with a kind
of journalistic sleight-of-hand. And private comment took its cue from
these authorities. It was said that she was a woman of noble traits,
and pretty anecdotes were told of her, illustrating her generous
impulses, her wit, her positiveness. She had had great personal
magnetism, many had loved her, many had also feared her, for her
tongue could cut like a sword. It was stated that her children had
worshiped her, and that her death had prostrated her husband with
grief. Of the chief blackness of her character none spoke.
Severnius invited me to attend the funeral obsequies which took place
in the Auroras' Temple, where the embalmed body lay in state; with
incense burning and innumerable candles casting their pallid light
upon the bier. I observed as we drove through the streets that the
closed doors of all the business houses exhibited the emblems of
respect and sorrow.
The Auroras were assembled in great numbers, having come from distant
parts of the country to do honor to the dead. They were in full
regalia, with mourning badges, and carried inverted torches. The
religious ceremonies and mystic rites of the Order were elaborate and
impressive. The dirge which followed, and during which the members of
the Order formed in procession and began a slow march, was so
unutterably and profoundly sad that I could not keep back the tears. A
little sobbing voice directly in front of me wailed out "Mamma!
Mamma!" A woman stooped down and whispered, "Do you want to go up and
kiss Mamma 'good-by' before they take her away?" But the child shrank
back, afraid of the pomp and ghostly magnificence surrounding the dead
form.
Public-domain text, read in full here on John Shaqi.
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