The _kaekeeke_ was a formal hula worthy of high consideration. Some authorities assert that the performers in this dance were chosen from the hoopaa alone, who, it will be remembered, maintained the kneeling position, while, according to another authority, the olapa also took part in it. There is no reason for doubting the sincerity of both these witnesses. The disagreement probably arose from hasty generalization. One is reminded of the wise Hawaiian saw, already noted, “Do not think that your halau holds all the knowledge.” This hula took its name from the simple instrument that formed its musical accompaniment. This consisted of a single division of the long-jointed bamboo indigenous to Hawaii, which was left open at one end. (The varieties of bamboo imported from China or the East Indies have shorter joints and thicker walls, and will not answer the purpose, being not sufficiently resonant.) The joints used in the kaekeeke were of different sizes and lengths, thus producing tones of various pitch. The performer held one in each hand and the tone was elicited by striking the base of the cylinder sharply against the floor or some firm, nonresonant body. On making actual trial of the kaekeeke, in order to prove by experience its musical quality and capabilities, the writer’s pleasure was as great as his surprise when he found it capable of producing musical tones of great purity and of the finest quality. Experiment soon satisfied him that for the best production of the tone it was necessary to strike the bamboo cylinder smartly upon some firm, inelastic substance, such as a bag of sand. The tone produced was of crystalline purity, and by varying the size and length of the cylinders it proved possible to represent a complete musical scale. The instrument was the germ of the modern organ. The first mele to be presented partakes of the nature of the allegory, a form of composition not a little affected by the Hawaiians: _Mele_ A Hamakua au, Noho i ka ulu hala. Malihini au i ka hiki ana, I ka ua pe’epe’e pohaku. 5 Noho oe a li’u-li’u, A luli-luli malie iho. [Page 123] He keiki akamai ko ia pali; Elima no pua i ka lima. Kui oe a lawa 10 I lei no ku’u aloha; Malama malie oe i ka makemake, I lei hooheno no ke aloha ole.