The author has already hinted at the form and character of
the entertainments with which hula-folk sometimes beguiled
their professional interludes. Fortunately the author is able
to illustrate by means of a song the very form of
entertainment they provided for themselves on such an
occasion. The following mele, cantillated with an
accompaniment of expressive gesture, is one that was actually
given at an awa-drinking bout indulged in by hula-folk. The
author has an account of its recital at Kahuku, island of
Oahu, so late as the year 1849, during a circuit of that
[Page 130] island made by King Kamehameha III. This mele is reckoned as
belonging to the ordinary repertory of the hula; but to which
particular form of the dance it was devoted has not been
learned:
_Mele_
Ua ona o Kane i ka awa;
Ua kau ke kéha[281] i ka uluna;
Ua hi’o-lani[282] i ka moena.
Kipú mai la i ke kapa o ka noe.
5 Noe-noe na hokú o ka lani—
Imo-imo mai la i ka po a’e-a’e.
Mahana-lua[283] na kukui a Lanikaula,[274]
He kaula no Kane.[285]
Meha na pali o Wai-pi’o
10 I ke kani mau o Kiha-pú;
A ono ole ka awa a ke alii
I ke kani mau o Kiha-pú;
Moe ole kona po o ka Hooilo;
Uluhua, a uluhua,
15 I ka mea nana e huli a loaa
I kela kupua ino i ka pali,
Olali la, a olali.
[Translation.]
_Song_
Kane is drunken with awa;
His head is laid on the pillow;
His body stretched on the mat.
A trumpet sounds through the fog,
5 Dimmed are the stars in the sky;
When the night is clear, how they twinkle!
Lani-kaula’s torches look double,
The torches that burn for Kane.
Ghostly and drear the walls of Waipio
10 At the endless blasts of Kiha-pú.
The king’s awa fails to console him;
’Tis the all-night conching of Kiha-pú.
Broken his sleep the whole winter;
Downcast and sad, sad and downcast,
15 At loss to find a brave hunter
Shall steal the damned conch from the cliff.
Look, how it gleams [through the fog]!
[Footnote 281: _Kéha_ is an elegant expression for the side of
the head.]
[Footnote 282: _Hi’o-lani_, literally to turn the side to
heaven, is a classic expression of refinement.]
Public-domain text, read in full here on John Shaqi.
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