The performer did not depend simply upon the musical tone,
but rather upon the modification it produced in the
utterances that were strained through it. It would certainly
require a quick ear, much practice, and a thorough
acquaintance with the peculiarities of Hawaiian mele to
enable one to distinguish the words of a song after being
transformed by passage through the niau-kani.
As late as about thirty or forty years ago the niau-kani was
often seen in the hands of the native Hawaiian youth, who
used it as a means of romantic conversations and flirtation.
Since the coming in of the Portuguese and their importation
of the _uku-lele_, the _taro-patch-fiddle_, and other cheap
stringed instruments, the niau-kani has left the field to
them and disappeared.
The author’s informant saw the niau-kani dance performed some
years ago at Moana-lua, near Honolulu, and again on the
island of Kauai. The dance in each case was the same. The
kumu, aided by a pupil, stood and played on the niau-kani,
straining the cantillations through the reed-protected
aperture, while the olapa, girls, kept time to the music with
the movements of their dancing,
[Page 133]
_Mele_
E pi’i ka wai ka nahele,
U’ina, nakolo i na Molo-kama;[286]
Ka ua lele mawaho o Mamala-hoa.
He manao no ko’u e ike
5 I na pua ohi’a o Kupa-koili,[287]
I hoa kaunu no Manu’a-kepa;[288]
Ua like laua me Maha-moku.[289]
Anapa i ke kai o Mono-lau.[290]
Lalau ka lima a noa ia ia la,
10 I hoa pili no Lani-huli.[291]
E huli oe i ku’u makemake,
A loa’a i Kau-ka-opua.[292]
Elua no pua kau
A ka manao i makemake ai.
15 Hoohihi oe a hihi
I lei kohu no neia kino.
Ahea oe hiki mai?
A kau ka La i na pali;[293]
Ka huli a ka makani Wai-a-ma’o,[294]
20 Makemake e iki ia ka Hala-mapu-ana,
Ka wai halana i Wai-pá.[295]
NOTE.—The proper names belong to localities along the course
of the Wai-oli stream.
[Footnote 286: _Molokama_ (more often given as _Na Molo-kama_).
The name applied to a succession of falls made by the stream
far up in the mountains. The author has here used a
versifier’s privilege, compressing this long word into
somewhat less refractory shape.]
[Footnote 287: _Kupa-koili_. A grove of mountain-apples, _ohia
ai_, that stand on the bank of the stream not far from the
public road.]
Public-domain text, read in full here on John Shaqi.
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