[Footnote 357: _Ukumehame_. The name of a deep valley on west
Maui in the region above described.]
[Footnote 358: _Papawai_. The principal cape on west Maui
between Lahaina and Maalaea bay.]
[Footnote 359: _Kumu-kahi_. A cape in Puna, the easternmost
part of Hawaii; by some said to be the sun’s wife, and the
object of his eager pursuit after coming out of his eastern
gate Ha’eha’e. The name was also applied to a pillar of stone
that was planted on the northern border of this cape.
Standing opposite to it, on the southern side, was the
monolith Makanoni. In summer the sun in its northern
excursion inclined, as the Hawaiians noted, to the side of
Kumukahi, while in the season of cool weather, called
Makalii, it swung in the opposite direction and passed over
to Makanoni. The people of Puna accordingly said, “The sun
has passed over to Makanoni,” or “The sun has passed over to
Kumukahi,” as the case might be. These two pillars are said
to be of such a form as to suggest the thought that they are
phallic emblems, and this conjecture is strengthened by
consideration of the tabus connected with them and of the
religious ceremonies peformed before them. The Hawaiians
speak of them as _pohaku eho_, which, the author believes,
is the name given to a phallus, and describe them as plain
uncarved pillars.
These stones were set up in very ancient times and are said
to have been tabu to women at the times of their infirmity.
If a woman climbed upon them at such a period or even set
foot upon the platform on which one of them stood she was put
to death. Another stringent tabu forbade anyone to perform an
office of nature while his face was turned toward one of
these pillars.
The language of the mele, _Ke hahai ae la e like me Kumukahi_
(verse 16), implies that the sun chased after Kumukahi.
Apropos of this is the following quotation from an article on
the phallus in Chambers’s Encyclopedia: “The common myth
concerning it [the phallus] was the story of some god
deprived of his power of generation—an allusion to the sun,
which in autumn loses its fructifying influence.”
Public-domain text, read in full here on John Shaqi.
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