_Oli_
Ka wai opua-makani o Wailua,[506]
I hulihia e ke kai;
Awahia ka lau hau,
Ai pála-ka-há, ka ai o Maká’u-kiu.
5 He kiu ka pua kukui,
He elele hooholo na ke Koolau;[507]
Ke kipaku mai la i ka wa’a—[508]
“E holo oe!”
Holo newa ka lau maia me ka pua hau,
10 I pili aloha me ka mokila ula i ka wai;
Maalo pulelo i ka wai o Malu-aka.
He aka kaua makani kaili-hoa;
Kaili ino ka lau Malua-kele,
Lalau, hopu hewa i ka hoa kanáka;[509]
[Page 256] 15 Koe a kau me ka manao iloko.
Ke apo wale la no i ke one,
I ka uwe wale iho no i Mo’o-mo’o-iki,[510] e!
He ike moolelo na ke kuhi wale,
Aole ma ka waha mai o kánaka,
20 Hewa, pono ai la hoi au, e ka hoa;
Nou ka ke aloha,
I lua-ai-ele[511] ai i-o, i anei;
Ua kuewa i ke ala me ka wai-maka.
Aohe wa, ua uku i kou hale—
25 Hewa au, e!
[Footnote 506: The scene is laid in the region about the
_Wailua_, a river on Kauai. This stream, tossed with waves
driven up from the sea, represents figuratively the
disturbance of the woman’s mind at the coming of the
officers.]
[Footnote 507: _Koolau_. The name of a wind; stands for the
messengers of the king, whose instructions were to expel
(_kipaku_, verse 7) and then to slay.]
[Footnote 508: _Wa’a_. Literally canoe; stands for the woman
herself.]
[Footnote 509: _Hoa kanáka_. Human companion; is an allusion to
the bundle of her husband’s bones which she carries with her,
but which are torn away and lost in the flood.]
[Footnote 510: _Mo’o-mo’o-iki_. A land at Wailua, Kauai.]
[Footnote 511: _Lua-ai-ele_. To carry about with one a sorrow.]
[Translation.]
_Song_
Public-domain text, read in full here on John Shaqi.
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