Up from Slavery: An AutobiographyWashington, Booker T.
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Up from Slavery: An Autobiography
Washington, Booker T.
African Americans -- Biography; Educators -- United States -- Biography; Tuskegee Institute; Washington, Booker T., 1856-1915
Despite superficial and temporary signs which might lead one to
entertain a contrary opinion, there was never a time when I felt more
hopeful for the race than I do at the present. The great human law that
in the end recognizes and rewards merit is everlasting and universal.
The outside world does not know, neither can it appreciate, the
struggle that is constantly going on in the hearts of both the Southern
white people and their former slaves to free themselves from racial
prejudice; and while both races are thus struggling they should have
the sympathy, the support, and the forbearance of the rest of the
world.
As I write the closing words of this autobiography I find myself—not by
design—in the city of Richmond, Virginia: the city which only a few
decades ago was the capital of the Southern Confederacy, and where,
about twenty-five years ago, because of my poverty I slept night after
night under a sidewalk.
This time I am in Richmond as the guest of the coloured people of the
city; and came at their request to deliver an address last night to
both races in the Academy of Music, the largest and finest audience
room in the city. This was the first time that the coloured people had
ever been permitted to use this hall. The day before I came, the City
Council passed a vote to attend the meeting in a body to hear me speak.
The state Legislature, including the House of Delegates and the Senate,
also passed a unanimous vote to attend in a body. In the presence of
hundreds of coloured people, many distinguished white citizens, the
City Council, the state Legislature, and state officials, I delivered
my message, which was one of hope and cheer; and from the bottom of my
heart I thanked both races for this welcome back to the state that gave
me birth.
Public-domain text, read in full here on John Shaqi.
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