But we are seeking birds; we must control our enthusiasm and listen. Now
we become aware of low, sharp, insect-like cries about us. They seem to
come from all sides at once; we find it impossible to locate them, till
a sudden chorus of loud and excited "smacks" directs our attention to
the tree over our heads, and our eyes fall upon a pair of frantic little
fellow-creatures in golden yellow, hopping about on the branches,
posturing and gesticulating with vehemence, and addressing their remarks
most pointedly to us.
We have doubtlessly invaded what they consider their domain. Those
insect-like chirps are the voices of their little folk, probably just
out of the nest, brand-new, ignorant, and curious babies, who know no
better than to stare at us, and make their comments within reach of our
hands. They are not yet trained to know and avoid their greatest enemy,
which you may not know, dear reader, that you are, not because you are
bloodthirsty, but because you belong to a bloodthirsty race.
Now one of the babies comes in sight, in soft olive, with golden
suggestions on tail and body; but mamma, horrified that he has exposed
himself to our gaze, hurries him away, and soon the chorus of peeps and
smacks--the yellow-bird baby talk--grows more distant, and the whole
family of golden warblers is gone. It is remarkable how much these
little folk know about our ways. If we walk through their territory
talking and laughing, the birds will continue their own affairs, singing
and calling, and carrying on their domestic concerns as though we were
blind and deaf, as indeed most of us are to the abundant life about us.
But when they see us quiet, looking at them, showing interest in their
ways, they recognize us at once as a suspicious variety of the _genus
homo_, who must be watched. At once they are on guard; they turn shy and
try to slip out behind a bush, or--if hampered by an untrained family of
little ones--attempt to expostulate with us, or to drive us away.
[Sidenote: _A RAPTUROUS SONG._]
Public-domain text, read in full here on John Shaqi.
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