Ah, how little we can see of what goes on about us, though we are
closely watching, and every sense is alert! On one side is a flash of
wings, and somebody disappears before he is seen; from the other comes
an unfamiliar note, and a rustle of leaves, behind which the author is
hidden. Here two bird voices are heard in excited talk, but your hasty
glance falls only on the swaying twig that proclaims their flight; and
in the tops of tall trees is a whole world of life and action entirely
beyond your vision.
[Sidenote: _HOW TO BE HAPPY._]
Early in the study of bird-life one must learn to be content with
comparatively little, and not set his heart on solving every mystery of
sound or glimpse which comes to him. One must be content to let some
things remain unknown, and enjoy what he can understand, if he would be
happy with nature. And if at some future time--as often happens--the
mystery is solved, the joy is great enough to pay for waiting, and much
greater than if he had worried and tramped the country over in attempts
to settle it.
I have seen it recommended as the best way to know birds, to follow
every note heard, till the bird is found and identified. This method
requires great activity, and often an hour's search results in the
discovery of an unfamiliar note of a familiar bird,--the robin or
sparrow, perhaps. Meanwhile one has missed a dozen charming scenes in
bird-life, and a chance to make acquaintances worth more than the
gratification of that curiosity. The wiser course, it seems to me, is to
learn to be content with what comes to you, and not mourn over what
eludes you; to be happy with what nature offers you, nor make yourself
miserable over what she for the present withholds; to adopt for your
motto the grand words of a fellow bird-lover,--
"What is mine shall know my face."
And in spite of such regrets, enough is always left to repay patient
waiting. From across the brook comes the unceasing cry of the Maryland
yellow-throat, "Witches here! witches here!" and you can readily believe
him, especially as with your best efforts you can see scarcely more than
a suggestion of his quaint black mask, as a small form dives into the
thick bushes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account