One day when I was watching the stump, a male flicker came with food, and alighted at the lower door, upon which a young bird put his bill out and was fed in the murderous-looking fashion of the flickers. Papa thrust his long beak down baby's throat, and gave several vicious-looking pokes, as if to hammer something down. While I was musing over this strange way of feeding, the bird left, and a female flicker appeared. She glanced into the open door, and then to my surprise slipped half around the trunk and a foot higher, and stopped before the other hole, which I had not noticed till then. Instantly a head came out, much bigger than the first one, uttered the familiar flicker baby-cry, and was fed. Then the question that interested me was, Were there two nests, or one of two stories with babies of different ages? Did both belong to one pair, or was that little dame peeping into her neighbor's house? Much time I spent before that castle in the air, but never was able to answer my own questions. No two old birds came at the same time, and no difference could I discover in looks or manners, that answered the query whether there were one or two pairs at work. Now they have all flown, and only the laugh of the flicker and the call of the young ones all around remain to tell that woodpecker babies grew up in the tree. [Sidenote: _THE GLORY OF THE WEST._] Now let us close our glasses, fold our camp-chairs, and go back to the camp, our present home. As we turn into the gate another voice strikes our ear, louder, richer, more attention-compelling than any we have heard. Listen: It is the wonder and the glory of the West; it is the most intoxicating, the most soul-stirring of bird voices in the land where thrushes are absent; it embodies the solitude, the vastness, the mystery of the mesa; it is the western meadow lark. This is his nesting-time, and we may be treated to his love-song, the exquisite, whispered aria he addresses to his mate. As I have heard it when very close to him, he sings his common strain several times, and then drops to a very low twittering and trilling warble, in which now and then is interpolated a note or two of the usual score, yet the whole altogether different in spirit and execution. He ends by a burst into the loud carol he offers to the world. There is nothing beyond that to hear, even in my beloved nook. XI. THE IDYL OF AN EMPTY LOT. A CITY STUDY.