Urith: A Tale of DartmoorBaring-Gould, S. (Sabine)
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Urith: A Tale of Dartmoor
Baring-Gould, S. (Sabine)
Dartmoor (England) -- Fiction
The havoc that has been wrought in our churches within the last thirty
years is indescribable. In Cornwall, with ruthless and relentless
activity, the parish churches have, with rare exceptions, been attacked
one after another, and robbed of all that could charm and interest, and
have been left cold and hideous skeletons. I know nothing that more
reminds one (speaking ecclesiologically) of the desert strewn with the
bones of what were once living and beautiful creatures, scraped of every
particle of flesh, the marrow picked out of their bones, the soul, the
divine spark of beauty and life, expelled for ever.
No sooner does a zealous incumbent find himself in the way of collecting
money to do up his church, than he rubs his hands over it and says,
"Embowelled will I see thee by and by." Falstaff was fortunately able to
get away from the knife. Alas! not so our beautiful old churches. The
architect and the contractor are called in, and the embowelling goes on
apace. All the old fittings are cast forth, the monumental slabs broken
up, the walls are scraped and painted, plaster everywhere peeled off,
just as the skin was taken off St. Bartholomew, and the shells are
exulted over by architect, contractor, parson, and parishioners, as
shells from which the bright soul has been expelled--_sans_ beauty,
_sans_ interest, _sans_ poetry, _sans_ everything. The man of taste and
feeling crosses the threshold, and falls back with the same sense as
comes on the reader of a young lady's novel, as at a mouthful of bread
from which the salt has been omitted, of something inexpressibly flat
and insipid. Before its restoration, Peter Tavy Church had the remains
of a beautiful roodscreen nicely painted and gilt, and an unique pew of
magnificent carved oak for the manorial lord to sit in, with twisted
columns at the angles supporting heraldic lions.
Anthony Cleverdon dismounted from his horse at the church-yard, hitched
up his beast, and entered the graveyard. He saw the sexton there, and
talking to him was an old woman in threadbare dress, grey hair, very
dark piercing eyes, bent, and leaning on a staff. She was a stranger, at
all events, he did not know her, and yet there was a something in her
features that seemed peculiar to him. The sexton said something to her,
and she at once came down the church path to meet Anthony, extending to
him her hand.
"Ah!" she said. "I can see, I can see my Margaret in your face--you have
her eyes, her features, and the same toss of head. I know you. You have
never, maybe, heard of me, and yet I am your grandmother. Have you come
here to see your mother's grave? I am glad, I am glad it is cared for,
not, I ween, by your father. Which of you thinks of the mother, and has
set flowers on the grave--see, it is alight with primroses?"
"I believe that was Bessie's doing," answered Anthony; then
involuntarily he looked at her shabby gown, patched and worn.
Public-domain text, read in full here on John Shaqi.
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