Tambores has been left behind, and the train is speeding once again
through the undulations and table-lands of the pastures. Although the
new-comer is unaware of the fact, the climax of the journey is drawing
near, and one of the most remarkable transformations in Nature is
about to reveal itself with the suddenness of a pantomimic
stage-shifting.
That the stranger to the land should remain unaware of what lies
before him is not surprising. The rolling downs have encompassed him
in unbroken sequence from the moment that the outermost suburb of
Montevideo was left behind. They are about him now, sinking and rising
until their smooth green sweeps upwards in long waves against the blue
horizon. Never was a fresher, blowier country, with its every inch
open and bare to the sunlight and breeze. It is difficult to imagine
such a land rubbing shoulders with a landscape less frank and
guileless. Its only fitting boundaries are white cliffs, and, beyond
them, the wide ocean.
Yet if Nature aspired to human ideals of consistency the hills would
go hopping to many a queer tune. After all, it is best to leave it to
arrange its surprises in its own way. The first symptom of a coming
change is afforded by the appearance of a growth that has remained a
stranger to the landscape until now. Rock plants, with thick, heavy,
silver leaves and snowy blossoms rise up thickly of a sudden to whiten
the ground. Then without warning the train is speeding downwards
through the rock walls of a cutting that seems to have opened out from
the ground at the call of an Open Sesame steam-whistle. Two or three
hundred yards of a steep descent that makes a precipice out of the
stone side on either hand, then a rapid widening of the barrier to the
view--and the thing is done! The train has entered the Valley of Eden.
Just as Adam in his fig-leaf gasped in dismay at his eviction from the
garden, so does the modern traveller in boots and buttons exclaim in
surprise as he passes through the stone gateway of this later Eden.
The two or three hundred yards have made an incredible memory of the
open downland. In its place are rugged cliffs to right and left, at
the base of which dense sub-tropical forest sends its waves upwards to
cling to the stone sides as far as they may.
In the centre of the valley is a stream that goes rippling over its
rocky bed, overhung with a curtain of flowering trees that hold
strange nests within their branches, and the festoons of the lianas
that plunge thickly downwards towards the earth. The scene, in fact,
holds all the enthusiastic variety of the sub-tropics. Nothing is
wanting to the picture. The rock, leaves, flowers, palms, and the
vivid patches of smooth green by the edge of the stream have as
accessories the turkey-buzzards and black vultures carving their lazy
circles above, and the brilliant host of butterflies beneath that
float airily to and fro as though to outflash even the wonderful
feathers of the local woodpecker.
Public-domain text, read in full here on John Shaqi.
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