Undoubtedly one of the most curious effects for which Colonia is
responsible is that of its compactness. There is scarcely a town in
Uruguay, or in Argentina either, whose outskirts do not straggle far
away from the centre into the Campo. To one who has inevitably become
accustomed to these architectural loose-ends the accurately defined
boundaries of the riverside town are not a little striking. The reason
is a very simple one. In the old days the city of discord was
completely surrounded by fortifications and, since it has performed
the feat--almost unique in the country--of failing to grow in extent
since that time, its original abrupt boundaries have remained. The
result, from an artistic point of view, is undoubtedly far more
imposing than that produced by the stress of modern development.
Colonia is not a town to be skimmed over lightly. It is worthy of
almost as careful a reconnoitring as it has frequently suffered in the
past. For the place can boast of half a dozen regular sieges, and
pitched battles, sallies, and skirmishes galore. Indians and
Spaniards, Spaniards and Portuguese, Uruguayans and Spaniards,
Uruguayans and Portuguese--all these have fought together here on
countless occasions, and yet the list of the warring companies is not
ended. The red ponchos of Urquiza's Gauchos have charged up to the
grey walls, staining the brown earth crimson as they went; buccaneers
of all nations have come and gone, and the scarlet of a British
garrison has gleamed out against the background of stone. Colonia is
the reddest spot of all in a sadly bloodstained land.
But, however much the aftermath of battles may brood, the aspect of
the place is as fair as could be desired. Just opposite its site are
the first green islands of the river, the oceanward outposts of the
lengthy series that rest in the midst of the waters upstream. This
shore of the mainland itself is picturesque in another fashion. Bright
semicircles and crescents of sand fringe the rocks of the innumerable
small bays. Upon the natural boulders, and ledges, and heaps of
masonry above are clusters of green leaves starred with blossoms. Here
and there a growth of more artificial kind is spread upon the stone;
for the sole figures upon the foreshore are those of two washerwomen,
busily engaged amongst the pools, whose variegated harvest is
increasing in area as it is spread out to dry.
[Illustration: COLONIA: RUINED FORTRESS WALL.]
[Illustration: A CAMPO GRAVEYARD.
To face page 218.]
In places the surface of the old masonry is level and wide; in others
it is necessary to leap from point to point just as it is in the case
of the rocks below. Scrambling and walking thus for several hundred
yards, the way lies past a collection of ruined houses, the massive
walls of which prick upwards in gaunt desolation. Beyond these again
is a narrow passage, paved principally by the chance falling of the
masonry, that leads into one of the actual streets of the town.
Public-domain text, read in full here on John Shaqi.
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