The aspect of the country in the immediate neighbourhood of where the
observer has taken his stand will be green in the main, although the
unbroken verdure by no means obtains throughout. Here and there the
ground is strongly marked by the occasional heaps of stones that come
jostling to the surface, and that recline in the fashion of small
bleak islands in the midst of the green waves. But, should the time be
spring, these latter are themselves flecked frequently almost to the
extinction of their own colouring. The great purple bands and patches
of the _flor morala_ lie thickly upon the land. These, however, stand
apart, since where they glow the serried ranks of blossom permit no
others to raise their heads.
[Illustration: A PASTORAL SCENE.
To face p. 238.]
But these, though the boldest of their kind, are by no means the sole
occupants of the landscape. Indeed, one of the chief characteristics
of the Banda Oriental Campo is the wealth of beautiful and
comparatively lowly plants that grow amidst the grasses. They are of
the type of English blossoms, peering out shyly from between the
green blades, blowing purely and sweetly in their innocence of the
heavy sickliness of the tropics. It is where the ground is chiefly
dotted with these fresh flowers that the smile of the Campo is most
brilliant.
So much for the immediate surroundings up to the point where the more
intricate markings become merged in the broader tints of the
landscape. Down in the hollows are bands of dark, close green formed
by the trees that shade the streams. With scarcely a break in the
narrow walls of verdure they run from valley to valley, accurately
defining the banks of the small rivers whose waters they conceal.
Within these leafy lanes lurk the only spots upon the Campo, save for
the rare woodland, that do not stare frankly upwards, exposing all
their earthly soul to the blue sky.
Away in the far distance there is a magic glamour. There the lands are
no longer green to the eye. The soft waves, as they rise and dip in an
accumulation of folds towards the final horizon line, are bathed in
warm purple. The Banda Oriental has been called "the purple land" by
one who knew it well, and never was a name better applied. Without the
foreground--that is itself strongly purpled by the banks of the _flor
morula_--all is purple and mystic. The land has its ordinary mirages
as well; but here is one that at all times confronts the
traveller--that wonderful land of the horizon that, unattainable, dies
farther away as it is approached.
Public-domain text, read in full here on John Shaqi.
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