In his private quarrels the Argentine Gaucho will bottle up his wrath
until his overflowing passion culminates without warning in the rapid
knife thrust or revolver shot. The conclusion of a serious dispute
between his Uruguayan brethren will almost certainly be the same; but
the tragic climax will be approached in quite another fashion. The
atmospheric effervescence of the Banda Oriental will enter into the
case. There will be shouting, vociferation, and not a little abuse.
Not until a fair exchange of all this has been bandied to and fro will
come the flash of steel or flame--and the red stain upon the grasses
of the Campo.
That these dwellers upon the downlands should prove themselves born
fighters is no matter for surprise. For the dusky side of their
ancestry they claim the Charrúa Indians, the fiercest and most warlike
of all the tribes in the neighbouring provinces. With this strain
added to the blood of the old Spaniards, and the mixture fostered and
nourished by the breezy hills, the result has been a being whose keen
sense of dignity and honour were ever in the very active custody of
knife or lance.
As is perhaps natural enough in a land whose interests--as compared
with the agricultural development of the neighbouring countries--are
almost purely pastoral, the habits and customs of the Oriental have
remained unusually conservative. His poncho is a veritable poncho,
often of a bizarre and daring hue; his spurs are weapons that glitter
in huge circles at his heels, while his horse furniture is frequently
silvered to the very last degree.
When the Gaucho undertakes a dance--a _baile_--moreover, he enters
into the performance with a zest that puts to shame the human products
of a later civilisation. In order to witness one of the most homeric
of these exhibitions it is necessary to suppose the revellers in the
peculiarly reckless and irresponsible mood that from time to time
falls to their lot. On such an occasion their wonted strict sobriety
is abruptly melted beneath the flow of the native spirit, caña, and
perhaps that of wine, and of beer. Then upon the open sward of the
Campo they will dance their _tangos_, stepping it manfully for hour
after hour.
Indeed, strengthened by the intervals of rest, refreshment, and sleep,
it is not unusual for them to continue these tremendous terpsichorean
feats for two or three days on end. At the conclusion of which, having
danced themselves out and drunk themselves in, these astonishing
mortals are perfectly ready for their strenuous work in the saddle!
Public-domain text, read in full here on John Shaqi.
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