They were soon far into the wood, with the western sky dwindling
between the innumerable pillars of the trees. It began to be dark and
utterly silent save for the rustle of the dead leaves as they went, and
the shrilling chafe of bridle or scabbard, or the snort of the great
horse. Wherever the eye turned the forest piers stood straight and
solemn as the columns in a hypostyle hall in some Egyptian temple. The
fretwork of boughs roofed them in with hardly a glimmering through of
the darkening sky above. There was a pungent autumn scent on the air
that seemed to rise like the incense of years that had fallen to decay
on the brown flooring of the place, and there was no breath or vestige
of a wind.
Presently as the day died the wood went black as the winter night,
and Igraine kept close by the man, with his armour giving a dull
gleam now and again to guide her. They were passing up what seemed to
be a great arcade cut through the very heart of the wood, as though
leading to some shrine or altar, relic of Druid days, or times yet more
antique. The tunnel ran a curved course, bending deeper and deeper as
it went into the dense horde of trees. So dark was the wood that it
was possible to see but a few paces in advance, and Igraine wondered
how the man kept the track. She was close at his stirrup now, with the
dark mass of him and his horse rising above her like a statue in black
basalt. Though he never spoke to her, and though she touched no part of
him, his horse, or his harness, she felt content with the queer sense
of trust and proximity that pervaded her. There was magic in the mere
companionship. As she had humbled her will to Pelleas's the night when
he had taken her from the beech tree in Andredswold, so now in like
fashion she surrendered pride and liberty, and became a child.
Suddenly the trackway straightened out into a great colonnade that
ran due south between trees of yet vaster girth. Igraine felt the man
rein in and abide motionless beside her as she held to the stirrup
and waited for what next should chance. Silence seemed like depths
of black water over them, and they could hear each other take breath
like the faint flux and reflux of a sea. Igraine saw the man lift his
spear, a dim streak less black than the vault above, and hold it as a
sign for her to listen. Her blood began to tingle a very little. There
was something far away on the dead, stagnant air, a sort of swirl of
sound, shrill and harmonious, like a wind playing through the strings
of a harp. It was very gradual, very impalpable. As the volume of it
grew it seemed to rush nearer like a wind, to swell into a swaying
plaintive song smitten through with the wounded cry of flutes. It gave
a notion of wood-fays dancing, of whirling wings and flitting gossamer
moonbright in the shadows. Igraine's blood seemed to spin the faster,
and her hand left the stirrup and touched the man's thigh. He gave
never a word or sign in the dark. She spoke to him very softly, very
meekly.
Public-domain text, read in full here on John Shaqi.
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