Gorlois's wife sat in the window-seat and watched the waves and the
horizon with vacant eyes. She was clad in a tattered gown of grey. Her
hair had been shorn close, leaving but a golden aureole over neck,
ears, and forehead. One hand was wrapped in a blood-stained cloth, and
there were marks left by a whip upon her face. Her gown reached hardly
to her ankles, showing bare feet and wheals, where the scourge had
been. She was very frail, very worn, very spiritual.
Her face was the face of one who looks into the solemn sadness of the
past. Her lips were pressed together as in pain, and a certain divine
despair dwelt in her deep eyes like light reflected from some twilight
pool. The muscles stood limned in her neck like cords, and the fingers
of one hand were hooked in the neck-band of her gown.
Many days had passed since the life in Garlotte's valley. They had
taught Igraine the deeds that might result from the stirring of the
passions of such a man as Gorlois. It was a strenuous age, and men's
souls were cast in large mould either to the image of good or evil.
Even Boethius could not escape the malice of a great king. Attila had
scourged the nations with a scourge of steel. Old things were passing
amid disruption and despair. Gorlois had caught the Titanic, violent
spirit of the age. His personality had won a lurid emphasis from
tragedies that shook the world.
Igraine had suffered many things, shame, torture, famine, since she had
fallen again into his power. The man had shown no pity, only a fine
fecundity in his devices for the breaking of her spirit. He could be
barbarous as any Hun, and though she had guessed his fibre, it was not
till these latter days that she learnt to know him more fully to her
own distress. It was not the physical alone that oppressed her; Gorlois
had imagination, ingenuity; he made her moral sufferings keener than
the lash, and subordinated the flesh to the spirit. Igraine withstood
him through it all. She felt in her heart that she was going to die.
As she sat at the window, the sound of laughter came up suddenly from
the garden, glowing in the sunlight. Mere mockery might have been its
inspiration, so light, so merry, and so mellow was it. Igraine heard
it, and leant forward over the sill to gain a broader view of the tiled
walks and flower-beds below. She saw a woman dart out of a doorway in
the wall opposite, and run in very dainty fashion, holding her skirts
gathered in one hand, the other flourishing a posy of red roses. As
she ran she laughed with an unrestrained extravagance that had in it
something sensual and alluring.
Public-domain text, read in full here on John Shaqi.
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