He dismounted and left his horse on the bridge. The postern beckoned
him. He went in like a man nerved for peril, with sword drawn and
shield above his head, ready for blows in dark corners. Again he blew
his horn. The blast rang and resounded under the arch of the gate. No
man came to answer or avenge it.
The guard-room door stood ajar; Uther thrust it open with the point
of his sword and looked in. A grey light filtered through the narrow
windows. The place was like the cave of the Seven Sleepers. Men, women,
guards, servants, were huddled on the benches and on the floor. Some
lay fallen across the settles; others sat with their heads fallen
forwards upon the table; a few had crawled towards the door. They were
cast in every posture, every attitude, bleak, stiff, and motionless.
Some had froth upon their lips, glistening eyes, clenched fingers. The
shadow of death was over the whole.
The King's face was as grey as the faces of the dead. He had looked for
human throes, perils, strong hands, and the vehemence of man. There
was something here, a calm horror, a mystery that hurled back the warm
courage of the heart. Prophecy lurked open-mouthed in the shadows.
Uther shouldered his sword, passed out, and drew to the door.
In the great court he looked round him like a traveller who has
stumbled upon a city wrapped in a magic sleep. Urged on by manifold
forebodings, and knowing the place of old, he went first to the State
quarters and hunted the rooms through and through. The same silence met
him everywhere. In the great hall he came upon a ring of corpses round
a table, a ring of men in armour, stiff and rigid as stone, with wine
and fruit mocking their staring eyes. In the lodging of the women he
found a lady laid on a couch by an open window. Her fair hair swept the
pillow; her eyes were wide and glazed; an open casket lay on the bed,
and strings of jewels were scattered on the coverlet. The woman's face
was white as apple blossom; she had a half-eaten pomegranate in her
hand.
Uther passed from the death-chamber of Morgan la Blanche to the garden.
The shadows of the place, the staring faces, the stiff hands clawing
at things inanimate, were like phantasms of the night. He took the sea
air into his nostrils, and looked into the blue realism of the sky.
All about him the garden glistened in the dawn, the cypresses shimmered
with dew, the pool was like a steel buckler on cloth of green. Here was
the placid life of flowers making very death the more apparent to his
soul.
Public-domain text, read in full here on John Shaqi.
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