"Oh!..." said she. "So you think my father would be much happier if he
stripped himself and his family to provide Turkish baths and--and
Turkish _rooms_ for his work-girls? I must say I don't understand that
kind of happiness. But then I'm not a _Socialist_!"
She said Socialist as she might have said imp of darkness. However, the
young man seemed unaware of her bitter taunt. He leaned the hand which
did not hold the cards against a pilaster in the vestibule-side, and
spoke with hurried eagerness:
"I don't mean that exactly, and I--I _really_ don't mean to apply
anything to your father, of course. I only mean--to--to speak quite
impersonally--that it seems to me the reason we all follow money so
hard, and hold to it so when we have it, is that we believe all along
it's going to bring us happiness, and that ... After all--isn't it
rather hard ever to get happiness that way? Perhaps we might find that
the real way to be happy was just in the other direction. That was all I
meant.... Don't you think, really," the queer man hurried on, as if
fearing an interruption, "it stands to reason it's not possible to be
happy through money? It's so _segregating_, it seems to me--it _must_ be
that way. And isn't that really just what we all want it for?--to make
a--a sort of little class to ourselves, to wall ourselves off from the
rest--from what seems to be--life. It elevates in a sense, of
course--but don't you think it often elevates to a--a sort of rocky
little island?"
They seemed to be personal words, in despite of his exordium, and V.
Vivian boggled a little over the last of them, doubtless perceiving that
he was yielding fast to his old enemy (as indicated to O'Neill) and once
more being too severe with these people, who after all had never had a
chance....
Cally looked briefly away, up the sunny street. She raised a
white-gloved hand and touched her gay hair, which showed that, though
she hesitated, she was perfectly at ease. She had just been struck with
that look suggestive of something like sadness upon the man's face,
which she had noticed that night in the summer-house. She herself was
inclined to connect this look with his religiosity, associating
religion, as she did, exclusively with the sad things of life. Or did it
come somehow from the contrast between his shabby exterior and that
rather shining look of his, his hopefulness incurable?...
She replied, in her modulated and fashionable voice: "I don't agree with
you at all. I'm afraid your ideas are too extraordinary"--she pronounced
it extrord'n'ry, after Mr. Canning--"for me to follow. But before
I go--"
"They do seem extraordinary, I know," broke from him, as if he could not
bear to leave the subject--"but at least they're not original, you
know.... I think that must be just the meaning of the parable of the
rich young man.--Don't you, yourself?"
"The parable of the rich young man?"
Public-domain text, read in full here on John Shaqi.
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