"You don't get no notes."
Kern was silenced by her mother's addiction to actuality, but presently
said: "I'd get notes if I was a lady, wouldn't I, Mr. V.V.?"
The doctor assured her that she would, and that all these things would
come some day. He sighed inwardly and wondered, not for the first time,
where the link could possibly lie between the matter-of-fact mother and
the strange child of fancy. There was nothing to do but attribute the
phenomenon to Mister, the whimsical knight of the open road. The boarder
asked what he should bring Kern from the party: he feared they wouldn't
have writing-desks, it not being at all a literary set. The girl thought
a rapturous moment and then asked could she have three of them
marrowglasses, all in curly white paper.
Vivian promised, and departed on his duties. First there was a call at
the Miggses' down the block, where the little boy Tub lay with scarlet
fever, very sick; and then there was his seven o'clock office hour for
workers, in which one, a teamster with Bright's disease and seven
children, remained long....
These matters occupied the doctor till eight o'clock: alone in his
office he computed the fact roughly from his watch, a battered heirloom
whose word was not to be taken literally. Good!--half an hour before
time to dress. Leisure, being a scant commodity, was proportionally
valued. The young man advanced to his secretary, before whose open face
plain living and high thinking could be so freely indulged in.
The secretary was of fine mahogany, hand-made in Virginia in the year
that Sir Edward Pakenham did not take New Orleans. It was the hero of so
many travels that its present proprietor once called it a
field-secretary, a pleasantry which would doubtless have convulsed Miss
Mamie Willis, if only she had ever heard it. The great tall office, bare
but for cheap doctorly paraphernalia, was even more storied. A bleak
grandeur clung to it still. Decayed mouldings, it had aplenty: great
splotches on wall and ceiling, where plaster had been tried through the
year and found wanting; unsightlier splotch between the windows whence
the tall gilt mirror had been plucked away for cash; broken chandelier,
cracked panes, loose flooring, dismantled fireplace. But view the
stately high pitch of the chamber, the majestic wide windows and private
balcony without, the tall mantel of pure black marble, the still
handsome walnut paneling, waist-high, the massive splendid doors. No
common suburban room, this: clearly a room with meaning, a past, soul.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account