His wife, formerly a Paris _danseuse_, was my instructor in the
Terpsichorean art. By the aid of a little whip, which she insisted was
essential to success, she taught me to go through all the posturings and
pirouettes of the operatic ballet-girls. I was forced often to
remonstrate against the ardor with which she applied her whip to a toe
or finger of mine that would get perversely out of the line of beauty.
Professor Lowe and Madame, his wife, conducted the performances of the
“Invisible Lady,” a contrivance that may not be familiar to all my
readers. A hollow brass ball with four trumpets protruding from it is
suspended inside of a hollow railing. Questions put by the by-standers
are answered through a tube by a person in the apartment beneath. The
imaginations of the spectators make the sounds seem to issue from the
brass ball. It used to be amusing to stand by and listen to the answers
of the “Invisible Lady,” _alias_ Madame Lowe, whose English was drolly
mixed up with her own vernacular. But if the responses were sometimes
unintelligible, this only added to the mystery and success of the brazen
oracle.
The Professor was passionately fond of game. He was struck with the
abundance of turkeys in one of the Southern States where we chanced to
be, and, throwing his gun across his shoulder, sallied forth to bring
some of them down. He returned shortly with two large black birds, which
he exhibited about the decks, amid the grins and suppressed laughter of
the crew. It was not till the Professor took his game into the kitchen
to have it dressed for dinner that he was informed, not only that his
birds were not turkeys at all, but that he had been breaking one of the
statutes of the State, which prohibits, under a pecuniary penalty, the
killing of turkey-buzzards.
The Professor had a young bear which he bought for twenty dollars at
some one of our stopping-places. Now this was the most mischievous cub
that I ever happened to see. To say nothing of the number of stuffed
snakes and pelicans which he devoured or tore to pieces, the degree of
havoc he could make in a trunk of wigs and stage wardrobe was something
just simply astounding. I have known him to eat up, or at least cause to
vanish, in the space of a single riotous hour, all that was necessary to
the artistic “make-up” of three old men, a half-dozen plantation
darkies, and I know not how many Shaker women. That was the time when he
plundered a large property-box.
That bear was chained and whipped, and made sick by the necessary
poisons of taxidermy, but he bore all with perfect cheerfulness. Three
days after a contest with a stuffed animal he was always more playful
than ever.
Public-domain text, read in full here on John Shaqi.
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