“She was going to elope with him,” she exclaimed all at once; “_that_
was what she was going to do. Oh, Mollie, Mollie, what a romantic goose
you are!”
And having reached this solution, she closed her small, determined mouth
in discreet silence, resolving to wait for Mollie's confession, which
she knew was sure to come sooner or later. As to Mollie herself, she
came down subdued and silent. She had slept off the effects of her first
shock, but had by no means forgotten it. She would never forget it, poor
child, as long as she lived, and she was so grateful to find herself
safe in the shabby rooms again, that she had very little to say; and
since she was in so novel a mood, the members of the family who were not
in the secret decided that her headache must have been a very severe one
indeed.
“Don't say anything to her about Grif,” Dolly cautioned Aimée, “it would
only trouble her.” And so the morning passed; but even at twelve o'clock
there was no Grif, and Dolly began to grow restless and walk to and
fro from the window to the hearth at very short intervals. Dinner-hour
arrived, too, but still no arrival; and Dolly sat at the table, among
them, eating nothing and saying little enough. How could she talk when
every step upon the pavement set her heart bounding? When dinner was
over and Phil had gone back to the studio, she looked so helpless and
woe-begone that Aimée felt constrained to comfort her.
“It may have been delayed,” she whispered to her, “or he may have left
the house earlier than usual, and so won't see it until to-night. He
will be here to-night, Dolly, depend upon it.”
And so they waited. Ah, how that window was watched that afternoon! How
often Dolly started from her chair and ran to look out, half suffocated
by her heart-beatings! But it was of no avail. As twilight came on
she took her station before it, and knelt upon the carpet for an hour
watching; but in the end she turned away all at once, and, running
to the fire again, caught Tod up in her arms, and startled Aimée by
bursting into a passion of tears.
“Oh, Tod!” she sobbed, “he is not coming! He will never come again,--he
has left us forever! Oh, Tod, love poor Aunt Dolly, darling.” And she
hid her face on the little fellow's shoulder, crying piteously.
She did not go to the window again. When she was calmer, she remained on
her chair, colorless and exhausted, but clinging to Tod still in a queer
pathetic way, and letting him pull at her collar and her ribbons and her
hair. The touch of his relentless baby hands and his pretty, tyrannical,
restless ways seemed to help her a little and half distract her
thoughts.
She became quieter and quieter as the evening waned; indeed, she was so
quiet that Aimée wondered. She was strangely pale; but she did not start
when footsteps were heard on the street, and she ceased turning toward
the door when it opened.
“He--he may come in the morning,” Aimée faltered as they went up-stairs
to bed.
Public-domain text, read in full here on John Shaqi.
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