She was out in the street in two minutes, standing on the pavement,
looking up and down, and then she ran across to the other side. She kept
close to the houses, so that she might be in their shadow, and a little
sob broke from her as she hurried along,--a sob of joy and fear and
excitement. At the end of the row of houses somebody was standing under
the street lamp,--a man. Was it Grif,--or could Grif have gone even in
this short time? Fate could never have been so cruel to him, to her, to
them all, as to let him come so near and then go away without hearing
that Dolly was lying at death's portals, and no one could save her but
himself and the tender power of the sweet, old, much-tried love. Oh, no,
no! It was Grif indeed; for as she neared the place where he stood, she
saw his face in the lamp-light,--a grief-worn, pallid face, changed and
haggard and desperate,--a sight that made her cry out aloud.
He had not seen her or even heard her. He stood there looking toward
the house she had left, and seeing, as it seemed, nothing else. Only the
darkness had hidden her from him. His eyes were fixed upon the dim light
that burned in Dolly's window. She had not meant to speak until she
stood close to him; but when she was within a few paces of him her
excitement mastered her.
“Grif,” she cried out; “Grif, is it you?”
And when he turned, with a great start, to look at her, she was upon
him,--her hands outstretched, the light upon her face, the tears
streaming down her cheeks,--sobbing aloud.
“Mollie,” he answered, “is it _you?_” And she saw that he almost
staggered.
She could not speak at first. She clung to his arm so tightly that he
could scarcely have broken away from her if he had tried. But he did not
try; it seemed as though her touch made him weak,--weaker than he had
ever been before in his life. Beauty as she was, they had always thought
her in some way like Dolly, and, just now, with Dolly's gay little
scarlet shawl slipping away from her face, with the great grief in
her imploring eyes, with that innocent appealing trick of the clinging
hands, she might almost have been Dolly's self.
Try as he might, he could not regain his self-control. He was sheerly
powerless before her.
“Mollie,” he said, “what has brought you here? Why have you come?”
“I have come,” she answered, “for Dolly's sake!”
The vague fear he had felt at first caught hold upon him with all the
fulness of its strength.
“For Dolly's sake!” he echoed. “Nay, Dolly has done with me, and I with
her.” And though he tried to speak bitterly, he failed.
She was too fond of Dolly, and too full of grief to spare him after
that. Unstrung as she was, her reproach burst forth from her without a
softened touch. “Dolly has done with earth. Dolly's life is over,” she
sobbed. “Do you know that she is dying? Yes, dying,--our own bright
Dolly,--and you--_you_ have killed her!”
Public-domain text, read in full here on John Shaqi.
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