Vagabonding Through Changing GermanyFranck, Harry Alverson
History
Vagabonding Through Changing Germany
Franck, Harry Alverson
Germany -- Description and travel; Germany -- Social life and customs
Just how much truth there was mixed in with the considerable amount of
patent nonsense in the ex-chairman’s declamation only a long stay in
Poznan, or time itself, would show. The fact that the Poles allowed many
of these statements, particularly the protests against the sudden change
of language, to be published in the local German newspaper speaks at
least for their spirit of tolerance. Though the new government was
visibly making mistakes, and had not yet settled down to the orderliness
that should come from experience, no one but a prejudiced critic could
have discovered immediate evidence that it was making any such complete
“mess” of matters as the German _Volksrat_ testified. Even if it had
been, at least the mass of the population showed itself happy and
contented with the change, and contentment, after all, may in time
result in more genuine and lasting progress than that which comes from
the forcible feeding of German _Kultur_.
I dropped in at the Teatro Apollo one evening, chiefly to find out how
it feels to see a play without understanding a word of it. An immense
barnlike building, that looked as if it had once been a skating-rink or
a dancing-pavilion, was crowded to suffocation with Poles of every class
and variety, from servant-girls in their curious leg-of-mutton sleeves
to colonels in the latest cut of Polish uniform. The actors—if they
could have been dignified with that title—had recently been imported
from Warsaw, and the alleged play they perpetrated could scarcely have
been equaled by our silliest rough-and-tumble “comedians.” The herd-like
roar with which their inane sallies were unfailingly greeted testified
that the audience found them entertaining. But it may be that Poznan was
in a particularly simple-minded mood during its first months of relief
from a century of bitter oppression. I hope so, for I should regret to
find that the startling contrast between this Polish audience and the
German one at the artistic _Stadttheater_ the following evening fairly
represented the difference between the two races. I believe I am not
prejudiced by the fact that the _Volksrat_ presented me with a free
ticket when I say that the latter performance was one of which any
manager might have been justly proud. The audience, too, resembled the
other about as a gathering of college professors resembles a collection
of factory hands. There was a well-bred solemnity about it that could
not, in this case, have been due merely to hunger, for there was no
munching whatever between the acts, none even under cover of the
darkened house, except here and there of candy, a luxury so long since
forgotten in Berlin that the happy possessor would never have dreamed of
giving his attention at the same time to the merely esthetic appeal of
the theater. There may have been Poles in the house, but at least the
new army was conspicuous by its absence. Not a uniform was to be seen,
with the exception of three scattered through the “peanut gallery.” Two
Public-domain text, read in full here on John Shaqi.
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