Vagabonding Through Changing GermanyFranck, Harry Alverson
History
Vagabonding Through Changing Germany
Franck, Harry Alverson
Germany -- Description and travel; Germany -- Social life and customs
The Royal Opera House next door announced a gala performance that
evening. I got my ticket early, fearful of being crowded away from what
promised to be my first artistic treat in a fortnight. I took pains to
choose a seat near enough the front to catch each detail, yet far enough
away from the orchestra not to be deafened by its Wagnerian roar—and
when I arrived the orchestra seemed to have been dead for years! The
place it should have occupied was filled with broken chairs and
music-racks black with age, and resembled nothing so much as
grandfather’s garret. A single light, somewhat more powerful than a
candle, burned high up under the dome of the house and cast faint, weird
flickers over its dusty regal splendor. For some reason the place was
cold as an ice-house, though the weather outside was comfortable, and
the scattered audience shivered audibly in its scanty _Ersatz_ garments.
It was without doubt the most poorly dressed, unprepossessing little
collection of hearers that I had ever seen gathered together in such an
edifice. One was reminded not merely that the textile-mills of Bayreuth
had only paper to work with now, but that soap had become an
unattainable luxury in Germany. Plainly _das Volk_ had taken over the
exiled king’s playhouse for itself. Even the ornate old royal loge was
occupied by a few patched soldiers and giggling girls of the appearance
of waitresses. But to what purpose? Surely such an audience as this
could not find entertainment in one of Germany’s classics! Alas! it was
I who had been led astray! The promising title of the play announced was
mere camouflage. Who perpetrated the incomprehensible, inane rubbish on
which the curtain finally rose, and why, are questions I willingly left
to the howling audience, which dodged back and forth, utterly oblivious
of the fact that the Royal Opera House had been erected before
theater-builders discovered that it was easier to see between two heads
than through one. Surely German _Kultur_, theatrically at least, was on
the down-grade in Bayreuth.
Public-domain text, read in full here on John Shaqi.
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