Vagabonds of the sea : $b The campaign of a French cruiserLarrouy, Maurice
History
Vagabonds of the sea : $b The campaign of a French cruiser
Larrouy, Maurice
Waldeck-Rousseau (Cruiser); World War, 1914-1918 -- Personal narratives, French
Towards two o’clock I received the sudden news of the death of a sailor
on board. The news tore me from my peaceful mood. I know that in this
far place the death of one man does not count, especially when one is
acquainted with that man only by a number. Yet I could not refrain
from a certain melancholy, and the train of my reveries became somber.
You poor little sailor, who has given up his life in this iron prison,
where will be your grave? The perfumed rocks of Greece, or the sands of
Apulia, or a shroud in the Ionian deeps? Wherever it be, no hand will
ever strew flowers on your white wooden cross, and those who write you
to-day perhaps will not know to what part of the vast world they should
direct their tears.
To the end of my watch I keep thinking of this destiny of the sailors,
who do not even halt to die. Around me the faces of the lookouts and
gunners show the same aspect of gravity which mine should have. This
morning, it seems to me, touches us more than it should. Is there not
going on somewhere a drama much more terrible?
In order to banish such reflections, I go to look in my cabin for
my little dog Jimmino, with his cold nose, his soft eyes and silky
hair. Since my last stay in Malta, he has exchanged the ease of his
mistress’ home for the hard existence of a ship. At night he sleeps in
the hollow of my shoulder, and when he wakes, he watches my slumber
without stirring. When I work, he whines softly until I lift him up on
my desk. He puts his head between his paws, and follows the course of
my pen. He does not like me to remain too long without speaking to him,
for I think he is of a jealous temperament. In order to let me know he
is there, Jimmino rises and walks across my pages where his paws trail
thick threads of ink. Then I give him a little tap on his cold nose and
scold him:
“Get away, you horrible, badly brought up little thing! What would your
mother say if she...”
“Well, well,” replies the little tail as it wags. “You have spoken,
silent master, and you have struck me; so you must love me. I am not
vexed with you any more.”
Jimmino lies down again within reach of the paper, his nose so near the
sheets that at the end of every line I feel his warm breath on the back
of my fingers. He watches my bent head, and thinks:
“I know very well you are bored, and that you brought me with you to
distract you. I am very happy when you deign to think of me. But do
you suppose that I am amused? Formerly, I played with the cat, on the
stairs, under the furniture, and around the kitchen. Everything smelt
good all around, and they washed me every morning. Here everything is
full of coal and bad odors. The moving sea makes me dizzy. And then I
have become the dog of an officer, and cannot go with the crews’ pets.
What have I done that you should exile me? Listen to me, silent master.
Speak to me.”
The paw stretches out cautiously to the edge of my freshly written
line. “Back, Jimmino! You will make a bad blot!”
Public-domain text, read in full here on John Shaqi.
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