Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
At Chartres, and Westminster, the high birth is shown by the crown; the
strong bright life by the flowing hair; the fortitude by the conqueror's
shield; and the truth by the bright openness of the face:
"She was not brown, nor dull of hue,
But white as snowe, fallen newe."
All these are symbols, which, if you cannot read, the image is to you
only an uninteresting stiff figure. But Sir Walter's Franchise, Diana
Vernon, interests you at once in personal aspect and character. She is
no symbol to you; but if you acquaint yourself with her perfectly,
you find her utter frankness, governed by a superb self-command; her
spotless truth, refined by tenderness; her fiery enthusiasm, subdued by
dignity; and her fearless liberty, incapable of doing wrong, joining to
fulfil to you, in sight and presence, what the Greek could only teach by
signs.
213. I have before noticed--though I am not sure that you have yet
believed my statement of it--the significance of Sir Walter's as
of Shakspeare's names; Diana 'Vernon, semper viret,' gives you the
conditions of purity and youthful strength or spring which imply the
highest state of libertas. By corruption of the idea of purity, you get
the modern heroines of London Journal--or perhaps we may more fitly call
it 'Cockney-daily'--literature. You have one of them in perfection, for
instance, in Mr. Charles Reade's 'Griffith Gaunt'--"Lithe, and vigorous,
and one with her great white gelding;" and liable to be entirely changed
in her mind about the destinies of her life by a quarter of an hour's
conversation with a gentleman unexpectedly handsome; the hero also being
a person who looks at people whom he dislikes, with eyes "like a dog's
in the dark;" and both hero and heroine having souls and intellects also
precisely corresponding to those of a dog's in the dark, which is indeed
the essential picture of the practical English national mind at this
moment,--happy if it remains doggish,--Circe not usually being content
with changing people into dogs only. For the Diana Vernon of the Greek
is Artemis Laphria, who is friendly to the dog; not to the swine. Do you
see, by the way, how perfectly the image is carried out by Sir Walter
in putting his Diana on the border country? "Yonder blue hill is in
Scotland," she says to her cousin,--not in the least thinking less of
him for having been concerned, it may be, in one of Bob Roy's forays.
And so gradually you get the idea of Norman franchise carried out in the
free-rider or free-booter; not safe from degradation on that side
also; but by no means of swinish temper, or foraging, as at present the
British speculative public, only with the snout.
214. Finally, in the most soft and domestic form of virtue, you have
Wordsworth's ideal:
"Her household motions light and free,
And steps of virgin liberty."
Public-domain text, read in full here on John Shaqi.
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