Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
249. Through all the tempestuous winter which during the period of
history we have been reviewing, weakened, in their war with the opposed
rocks of religious or knightly pride, the waves of the Tuscan Sea,
there has been slow increase of the Favonian power which is to bring
fruitfulness to the rock, peace to the wave. The new element which is
introduced in the thirteenth century, and perfects for a little time the
work of Christianity, at least in some few chosen souls, is the law of
Order and Charity, of intellectual and moral virtue, which it now became
the function of every great artist to teach, and of every true citizen
to maintain.
250. I have placed on your table one of the earliest existing engravings
by a Florentine hand, representing the conception which the national
mind formed of this spirit of order and tranquillity, "Cosmico," or the
Equity of Kosmos, not by senseless attraction, but by spiritual thought
and law. He stands pointing with his left hand to the earth, set only
with tufts of grass; in his right hand he holds the ordered system of
the universe--heaven and earth in one orb;--the heaven made cosmic by
the courses of its stars; the earth cosmic by
[Illustration: PLATE IX.--THE CHARGE TO ADAM. MODERN ITALIAN. ]
the seats of authority and fellowship,--castles on the hills and cities
in the plain.
251. The tufts of grass under the feet of this figure will appear
to you, at first, grotesquely formal. But they are only the simplest
expression, in such herbage, of the subjection of all vegetative force
to this law of order, equity, or symmetry, which, made by the Greek the
principal method of his current vegetative sculpture, subdues it, in the
hand of Cora or Triptolemus, into the merely triple sceptre, or animates
it, in Florence, to the likeness of the Fleur-de-lys.
252. I have already stated to you that if any definite flower is meant
by these triple groups of leaves, which take their authoritatively
typical form in the crowns of the Cretan and Laciuian Hera, it is
not the violet, but the purple iris; or sometimes, as in Pindar's
description of the birth of Ismus, the yellow water-flag, which you
know so well in spring, by the banks of your Oxford streams. [1] But,
in general, it means simply the springing of beautiful and orderly
vegetation in fields upon which the dew falls pure. It is the
expression, therefore, of peace on the redeemed and cultivated earth,
and of the pleasure of heaven in the uncareful happiness of men clothed
without labour, and fed without fear.
Public-domain text, read in full here on John Shaqi.
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