The Canada geese, except for the nesters, had swept on in that marvelous
ranked army which ends the migration, spreading from the east to the
west some warm morning when the wind is south, and extending from a
hundred feet in the air to ten thousand, all moved by a common impulse
like myself and my fellow-migrants, pressing northward though, instead
of westward, with the piping of a thousand organs, their wings whirring,
their eyes glistening as if with some mysterious hope, their black
webbed feet folded and stretched out behind, their necks strained out
eagerly to the north, and held a little high I thought as if to peer
over the horizon to catch a glimpse of their promised land of blue
lakes, tall reeds, and broad fields of water-celery and wild rice, with
dry nests downy with the harvests of their gray breasts; and fluffy
goslings swimming in orderly classes after their teachers. And up from
the South following these old honkers came the snow geese, the Wilson
geese, and all the other little geese (we ignorantly called all of them
"brants"), with their wild flutings like the high notes of
clarinets--and the ponds became speckled with teal and coot.
The prairie chickens now became the musicians of the morning and evening
on the uplands, with their wild and intense and almost insane chorus,
repeated over and over until it seemed as if the meaning of it must be
forced upon every mind like a figure in music played with greatening
power by a violinist so that the heart finally almost breaks with
it--"Ka-a-a-a-a-a, ka, ka, ka, ka! _Ka-a-a-a-a-a-a,_ ka, ka, ka, ka, ka,
ka, ka! KA-A-A-A-A-A-A, ka, ka, ka, ka, ka, ka, ka, ka!"--Oh, there is
no way to tell it!--And then the cock filled in the harmony with his
lovely contribution: facing the courted hen, he swelled out the great
orange globes at the sides of his head, fluffed out his feathers,
strutted forward a few steps, and tolled his deep-toned bell, with all
the skill of a ventriloquist, making it seem far away when he was on a
near-by knoll, like a velvet gong sounded with no stroke of the hammer,
as if it spoke from some inward vibration set up by a mysterious
current--a liquid "Do, re, me," here full and distinct, there afar off,
the whole air tremulous with it, the harmony to the ceaseless fugue in
the soprano clef of the rest of the flock--nobody will ever hear it
again! Nobody ever drew from it, and from the howling of the wolves, the
honking of the geese, the calls of the ducks, the strange cries of the
cranes as they soared with motionless wings high overhead, or rowed
their way on with long slow strokes of their great wings, or danced
their strange reels and cotillions in the twilight; and from the myriad
voices of curlew, plover, gopher, bob-o-link, meadowlark, dick-cissel,
killdeer and the rest--day-sounds and night-sounds, dawn-sounds and
dusk-sounds--more inspiration than did the stolid Dutch boy plodding
west across Iowa that spring of 1855, with his fortune in his teams of
Public-domain text, read in full here on John Shaqi.
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