The whole house was in the greatest agitation all the rest of the day.
The curtains were drawn, the door bell rang incessantly, strange faces
passed the windows, and the noise of strange footsteps continually
mounted and descended the staircase. The hours for meals were all
deranged, the table stood ready all day long, and one ate when there was
a chance. The telephone was in constant use, and at every moment
messenger boys came and went, people spoke in low tones, walking on
tiptoe; the florist's wagon drove to the door again and again, and the
house began to smell of tuberoses. Reporters came, waiting patiently for
interviews, sitting on the leather chairs in the dining-room, or writing
rapidly on a corner of the dining-table, the cloth pushed back. The
undertaker's assistants went about in their shirt-sleeves, working very
hard, and toward the middle of the afternoon the undertaker himself tied
the crêpe to the bell handle.
Little by little a subdued excitement spread throughout the vicinity.
The neighbours appeared at their windows, looking down into the street,
watching everything that went on. It was a veritable event, a matter of
comment and interest for the whole block. Women found excuses to call on
each other, talking over what had happened, as they sat near their
parlour windows, shaking their heads at each other, peering out between
the lace curtains. The people on the cable-cars and the pedestrians
looked again and again at the crêpe on the bell handle, and the
curtained windows, craning their necks backward when they had passed.
The neighbours' children collected in little groups on the sidewalk near
the house, looking and pointing, drawn close together, talking in low
tones. At last even a policeman appeared, walking deliberately, casting
the shadow of his huge stomach upon the fence that was about the vacant
lot. He frowned upon the children, ordering them away. But suddenly he
discovered an acquaintance, the driver of an express-wagon that had just
driven up with an enormous anchor of violets. He paused, exclaiming:
"Why, hello, Connors!"
"Why, hello, Mister Brodhead!"
Then a long conversation was begun, the policeman standing on the
curbstone, one foot resting upon the hub of a wheel, the expressman
leaning forward, his elbows on his knees, twirling his whip between his
hands. The expressman told some sort of story, pointing with his elbow
toward the house, but the other was incredulous, gravely shaking his
head, putting his chin in the air, and closing his eyes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account