The first was reasonable enough in the matter of rent, and had even been occupied by an artist for some three or four years previous. However, the room that Vandover proposed to use as a sitting-room was small and had no double windows, thus making the window-seat an impossibility. There did not seem to be any suitable place for the Assyrian _bas-reliefs_, and the mantelpiece was of old-fashioned white marble like the mantelpiece in Mrs. Wade's front parlour, a veritable horror. It revolted Vandover even to think of putting a pipe-rack over it. These defects were offset by the studio, a large and splendid room with hardwood floors and an enormous north light, the legendary studio, the dream of an artist, precisely such a studio as Vandover had hoped he would occupy in the Quarter. The other suite was in a great apartment house, a hotel in fact, but very expensive, with electric bulbs and bells, and with a tiled bathroom connecting with the bedroom. The room which he would be obliged to use as his studio was small, dark, the light coming from the west. But the sitting-room was perfect. It had the sun all day long through a huge bay window that seemed to have been made for a window-seat; there were admirable, well-lighted spaces on the walls for casts and pictures, and the mantelpiece was charming, extremely high, and made of oak; in a word, the exact sitting-room that Vandover had in mind. Already he saw himself settled there as comfortably and snugly as a kernel in a nutshell. It was true that upon investigation he found that the grate had been plastered up and the flue arranged for a stove. But for that matter there were open-grate stoves to be had that would permit the fire to be seen and that would look just as cheerful as a grate. He had even seen such a stove in the window of a hardware store downtown, a tiled stove with a brass fender and with curious flamboyant ornaments of cast-iron--a jewel of a stove. For two days Vandover hesitated between these two suites, undecided whether he should sacrifice his studio for his sitting-room, or his sitting-room for his studio. At length he came to the conclusion that as he was now to be an artist a good studio ought to be the first consideration, and that since he was to settle down to hard, serious work at last he owed it to himself to have a fitting place in which to paint; yes, decidedly he would take the suite with the studio. He went to the agent, told him of his decision, and put up a deposit to secure the rooms. The same day upon which he took this decided step he had occasion to pass by both places in question. As he approached the apartment house in which the rejected suite was situated it occurred to him to tell the clerk in the office that he had decided against the rooms; he could take a last look at them at the same time.