Such a catastrophe is appalling, and it may be realized before the war is over, for there is small reason why all should not suffer the fate of great St. Martin's at Ypres, and Rheims, at the hands of the descendants of the Huns and the Allemanni. As it is now six great cathedral towns lie inclosed within their iron clad battle lines--Soissons, Lâon, Senlis, Amiens, Noyon and Rheims; of these Rheims, Soissons, Noyon and Senlis have been ruined; Amiens remains (so we are told) intact. No such assurance is given of Lâon, with its wonderful square ended choir, the only one in France, and the remarkable effigies of oxen, carved in stone, on the tops of the twin towers. NOYON |NOYON is really a most beautiful little town asleep amid surrounding heavy verdure and, with its dominating cathedral towers of Notre Dame, half Romanesque, half Gothic, which architects pronounce one of the best specimens of the transition period in France, is a veritable storehouse of interest." (I find this in my notebook, dated July, 1910.) It was named by the Romans "Noviodunam Veroman-duorum" and was notable as the residence of the great Bishops SS. Medard and Eloi. Here Charlemagne was crowned King of the Franks in 768. Jacques Sarrazin was born here in 1592, and a monument to him by the sculptor Mohlknecht was placed on the promenade in 1851. Just what the invaders have done to this sleepy, peaceful, little town, can not at this writing be ascertained, but it is reported that the great towers of the cathedral have been shot away, and that most of the town is a mass of shapeless debris. Mr. Ralph Adams Cram, the eminent architect who has made a study of the cathedral, says in his scholarly and informing book ("The Heart of Europe," p. 99), "The ancient cathedral was burned in 1131, and the present work begun shortly after, though it is hard to believe that much of the existing structure antedates the year 1150. The crossing and transepts date from about 1170, and the nave ten years later, while the west front and towers are of the early part of the next century. The certainty and calm assurance of the work is remarkable. Paris, which is later, is full of tentative experiments, but there is no halting here, rather a severe certainty of touch that is perfectly convincing.... In 1293 the whole town was destroyed by fire, and the cathedral wrecked; but it was immediately reconstructed, however; and at this time the sexpartite gave place to the quadripartite vaulting, while the west front with its great towers, very noble in their proportions and their powerful buttressing, was completed."