Miss Flodden had broken through all rules in manifesting her feelings
about the pots; Greenleaf never dreamed of taking advantage of her false
move, but with his usual simplicity, encouraged by a plain-spokenness,
which never struck him as otherwise than natural, he answered very
gravely: "Of course I understand how fond you must be of these beautiful
things, and how much it must have been to you--it would be to anyone who
cared for art, even if not specially interested like you in pottery--to
have them constantly before you. But you ought to remember that you are
parting with them for the advantage of others."
Miss Flodden flushed a little. It was probably from surprise and shame
at this man's stupidity. She must have felt as if she herself had
alluded to the necessity of selling these heirlooms, as if she herself
had done the incredible thing of pointing out the pecuniary advantage.
Then, apparently, she reflected that if this man was so obtuse, he could
not help himself; but that he was doubtless honest in his intentions.
For she added coldly, and hiding her contemptuous face from him with a
jar held at arms' length:
"Of course I know that it's for the benefit of my brothers and sisters.
I don't grudge them the money, heaven knows, and when one's broke,
one's broke. Only it's sad to think what sort of things--what stupid
amusements and useless necessaries these lovely things will be exchanged
for, merely because the world is so idiotically constituted. You see,
the possession of these pots ought to give everyone more pleasure than
the possession of an additional horse, or an extra frock."
Greenleaf was as much taken aback at her misconception of his meaning as
she had been at her supposed understanding of it.
"Good gracious, Miss Flodden, I didn't mean the advantage of your
brothers and sisters. But surely you ought to reflect that these pots
passing from a private house in Northumberland to the South Kensington
Museum, will mean that hundreds of people will be afforded pleasure,
instead of only one or two--one, namely yourself, by your own account.
Besides, do you really think that any private individual has a moral
right to keep for himself any object capable of giving a noble kind of
pleasure to his fellows, merely because the present state of society
allows him to possess more money than his neighbours, and to lock up
things as his property? Surely art belongs to all who can enjoy it!"
There was something fault-finding in Greenleaf's tone, owing to the fact
that he could not realise such ideas, so very familiar to himself, not
being equally familiar to everyone else.
Miss Flodden set down the jar she was dusting, keeping her wrist
balanced on its edge, and looked at Greenleaf with surprise in her blue
eyes, which concentrated, and seemed to grow darker and deeper by the
concentration.
"Really," she asked incredulously, "are you speaking seriously? But
then--what would become of luxury and so forth?"
Public-domain text, read in full here on John Shaqi.
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