Downstairs, after a few civil speeches about the pleasure of having the
assistance of so great an artistic authority, and sundry contradictory
suggestions about styles of furniture and architecture, Greenleaf's host
and hostess requested him to join in a little game devised for the
removal of precedence in the arrangement of places at table. The game,
which had been suggested that very moment by one of the various tall,
blond and moustached youths hanging about the drawing-room, consisted
in hiding all the men behind a door curtain, whence projected, as sole
clue to their identity, their more or less tell-tale feet, by which the
ladies were to choose their partners. The feet, so Greenleaf said to
himself, were singularly without identity; he saw in his mind's eye
the row of projecting, pointed-toed, shining pumps, cut low upon the
fantastic assortment of striped, speckled, and otherwise enlivened silk
stockings. Among them all there could only be a single pair betraying
the nature of their owner, and it was his. They said, or would say, in
the mute but expressive language of their square-toedness (Greenleaf
felt as if they might have elastic sides even, although his democratic
views had always stopped short before that), that their owner was the
curate, the tutor, the house-decorator, in fine, the interloper. He
wondered whether, as good nature to himself and consideration for the
other guests must prompt, those feet would be immediately selected
by the mistress of the house, or whether they would be left there
unclaimed, when all the others had marched cheerfully off.
But his suspense was quickly converted into another feeling, when among
the laughter and exclamations provoked by the performance, a voice came
from beyond the curtain, saying slowly: "I think I'll have this pair."
The voice was the same he had heard from the lawn, the same he had heard
years ago in the British Museum, and on the banks of the Tweed--the same
which once or twice since, but at ever-increasing intervals, he had
tried in vain to recall to his mind's hearing. The voice--but grown
deeper, more deliberate and uniformly weary--of Val Flodden.
Greenleaf heard vaguely the introductory interchange of names performed
by his hostess; and felt in his back the well-bred smile of amusement
of the couples still behind, as the lady took his unprepared arm and
walked him off in the helter-skelter move to the dining-room; and it
was as in a dream that he heard his name pronounced, with the added
information, on the part of his companion, that it was a long time since
they had last met.
"Yes," answered Greenleaf, as the servant gently pushed him and his
chair nearer the table; "it must be quite a lot of years ago. I have
come here," he added, he scarce knew why--but with a vague sense of
protest and self-defence--"about doing up the house."
Public-domain text, read in full here on John Shaqi.
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