"Do you want to know the story of poor old Sora Lena?" asked Cecchino,
taking the sketch from Madame Krasinska's hand, and looking over it at
the charming, eager young face.
The sketch might have passed for a caricature; but anyone who had spent
so little as a week in Florence those six or seven years ago would have
recognised at once that it was merely a faithful portrait. For Sora
Lena--more correctly Signora Maddalena--had been for years and years one
of the most conspicuous sights of the town. In all weathers you might
have seen that hulking old woman, with her vague, staring, reddish
face, trudging through the streets or standing before shops, in her
extraordinary costume of thirty years ago, her enormous crinoline, on
which the silk skirt and ragged petticoat hung limply, her gigantic
coal-scuttle bonnet, shawl, prunella boots, and great muff or parasol;
one of several outfits, all alike, of that distant period, all alike
inexpressibly dirty and tattered. In all weathers you might have seen
her stolidly going her way, indifferent to stares and jibes, of which,
indeed, there were by this time comparatively few, so familiar had she
grown to staring, jibing Florence. In all weathers, but most noticeably
in the worst, as if the squalor of mud and rain had an affinity with
that sad, draggled, soiled, battered piece of human squalor, that
lamentable rag of half-witted misery.
"Do you want to know about Sora Lena?" repeated Cecco Bandini,
meditatively. They formed a strange, strange contrast, these two women,
the one in the sketch and the one standing before him. And there was to
him a pathetic whimsicalness in the interest which the one had excited
in the other. "How long has she been wandering about here? Why, as long
as I can remember the streets of Florence, and that," added Cecchino
sorrowfully, "is a longer while than I care to count up. It seems to
me as if she must always have been there, like the olive-trees and
the paving stones; for after all, Giotto's tower was not there before
Giotto, whereas poor old Sora Lena--But, by the way, there is a limit
even to her. There is a legend about her; they say that she was once
sane, and had two sons, who went as Volunteers in '59, and were killed
at Solferino, and ever since then she has sallied forth, every day,
winter or summer, in her best clothes, to meet the young fellows at the
Station. May be. To my mind it doesn't matter much whether the story
be true or false; it is fitting," and Cecco Bandini set about dusting
some canvases which had attracted the Baroness Fosca's attention. When
Cecchino was helping that lady into her furs, she gave one of her little
brutal smiles, and nodded in the direction of her companion.
"Madame Krasinska," she said laughing, "is very desirous of possessing
one of your sketches, but she is too polite to ask you the price of it.
That's what comes of our not knowing how to earn a penny for ourselves,
doesn't it, Signor Cecchino?"
Public-domain text, read in full here on John Shaqi.
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