“Who knows,” he said to himself, “what may be behind it? This is an
old baronial sort of hall, and the greater portion of it was, no
doubt, built at a time when the construction of such places as hidden
chambers and intricate staircases were, in all buildings of importance,
considered a disiderata.”
That he should make some discovery behind the portrait, now became an
idea that possessed him strongly, although he certainly had no definite
grounds for really supposing that he should do so.
Perhaps the wish was more father to the thought than he, in the partial
state of excitement he was in, really imagined; but so it was. He felt
convinced that he should not be satisfied until he had removed that
panel from the wall, and seen what was immediately behind it.
After the panel containing the picture had been placed where it was, it
appeared that pieces of moulding had been inserted all around, which
had had the effect of keeping it in its place, and it was a fracture of
one of these pieces which had first called Charles Holland’s attention
to the probability of the picture having been removed. That he should
have to get two, at least, of the pieces of moulding away, before he
could hope to remove the picture, was to him quite apparent, and he
was considering how he should accomplish such a result, when he was
suddenly startled by a knock at his chamber door.
Until that sudden demand for admission at his door came, he scarcely
knew to what a nervous state he had worked himself up. It was an odd
sort of tap—one only—a single tap, as if some one demanded admittance,
and wished to awaken his attention with the least possible chance of
disturbing any one else.
“Come in,” said Charles, for he knew he had not fastened his door;
“come in.”
There was no reply, but after a moment’s pause, the same sort of low
tap came again.
Again he cried “come in,” but, whoever it was, seemed determined that
the door should be opened for him, and no movement was made from the
outside. A third time the tap came, and Charles was very close to the
door when he heard it, for with a noiseless step he had approached it
intending to open it. The instant this third mysterious demand for
admission came, he did open it wide. There was no one there! In an
instant he crossed the threshold into the corridor, which ran right and
left. A window at one end of it now sent in the moon’s rays, so that
it was tolerably light, but he could see no one. Indeed, to look for
any one, he felt sure was needless, for he had opened his chamber-door
almost simultaneously with the last knock for admission.
“It is strange,” he said, as he lingered on the threshold of his room
door for some moments; “my imagination could not so completely deceive
me. There was most certainly a demand for admission.”
Slowly, then, he returned to his room again, and closed the door behind
him.
Public-domain text, read in full here on John Shaqi.
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