"Yes, I am aware that is one of the _dogmata_ of the craft, but Rubens was no more infallible than you or I, and his pictures give me less pleasure than those of any other artist of equal celebrity. Dr. Grey, if I am even a tolerable judge of my own work, the best thing I have yet achieved is the drapery of that form. Perhaps I am inclined to plume myself upon this point, from the fact that it was the opinion of Carlo Maratti that 'The arrangement of drapery is more difficult than drawing the human figure; because the right effect depends more upon the taste of the artist than upon any given rules.' That sweep of blue gauze has cost me more toil than everything else on the canvas." "Pardon the expression of my curiosity concerning your modes of composition in these singular and quaint creations, for which you have no models; and tell me how this ideal presented itself to your imagination." "Dr. Grey, I am not a great genius like Goethe, and unfortunately can not candidly echo his declaration, that, 'Nothing ever came to me in my sleep.' I can scarcely tell you when this idea was first born in my busy, tireless brain, but it took form one evening after I had read Charlotte Bronte's 'Woman Titan,' in 'Shirley,' and compared it with that glowing description of Jean Paul Richter, 'And so the Sun stands at the border of the Earth, and looks back on his stately Spring, whose robe-folds are valleys, whose breast-bouquet is gardens, whose blush is a vernal evening, and who, when she rises, will be Summer.' Still it was vague, and eluded me, until I found somewhere in my most desultory reading, an account of '_Espendermad_,' one of the six angels of Ormuzd, to whom was entrusted the guardianship of the earth. That night I dreamed that I stood under a vine at Schiraz, gathering golden-tinted grapes, when a voice arrested me, and, looking over my shoulder, I saw that face peeping at me across a hedge of crimson roses. Next day I sketched the features as they had appeared in my dream, but I was not fully satisfied, and waited and pondered. Finally, I read 'Madonna Mia,' and then all was as you see it now, startlingly distinct and palpable." "Why did you not select some dusky-haired, dusky-eyed, olive-tinted oriental type, instead of a blonde who might safely venture into Valhalla as a genuine Celtic Iduna?"