Reality will now and then make fancy blush for herself. The Easter
illumination of St. Peter's may match the wildest dream of the Arabian
Nights; and this scene on the Lake of Como, with the sunset upon it,
may outvie the highest wrought counterfeit of Claude or Salvator, or
both combined. The world, much abused as she is, does her part. She is
profuse of beauties; but, in the midst of them, one still drags with
him his own work-day identity. Go where he will, his old Adam still
hangs about him; and the spell-breaking sense that he is himself and
no other scatters every charm that Art and Nature would cast over him.
Morton, poor devil, had other matters to think of than scenery. Hunger
and danger are a cure for the most rabid love of landscape. His bread
and bacon had given out, and the phantom of an Austrian _sbirro_ rode
him like a nightmare. Mustering his best recollections of geography,
he came to the belief that he was either on the Lake of Como, or, as
seemed to him much more likely, on the lake farther eastward, that of
Garda. One thing was certain: he was on a great route of travel. His
best course, as he thought, was to watch for the chance of a meeting
with some American or English tourist, to whom he could make his case
known; and meanwhile, though a worse actor never appeared on any
stage, to pass himself off, if he could, as a beggar.
He passed a night on the hills above Colico, and happily for him,
above the malaria; woke half famished from his miserably broken sleep,
and wearily walked on his way, wondering if, in support of his
character, he could ever find grace to say, "_Datemi qualche cosa_."
There was something in the idea of thus sneaking through a country
that grated on him with peculiar discomfort; and to have headed the
forlorn hope of a storming party would have been less trying to his
nerve.
The thought how to content the cravings of his hunger soon absorbed
all other thoughts. Looking about him, he saw a small white house,
standing alone on the road by the shore of the lake; and over the door
he could read from afar the sign, "_Spaccio di Vino_." Famine got the
better of caution. He approached warily, ensconced himself behind an
old wall, and, quite unseen, began his observations. The house was but
a few rods off, on the other side of the road. An old wayfarer sat in
the porch, busy in breakfasting on curds, pressed hard like a cheese,
a slice of very black and solid-looking bread serving him for a plate.
In a few moments, the landlord, a freckled-faced Italian, came to the
door, and began to chat with his customer. Morton took a coin from his
pocket, walked forth from his hiding-place, and was approaching, still
unnoticed, when he was startled by the sound of a horse's tread, on
the road beyond the house. A single glance at the rider told him that
there was no danger, and made his heart beat with sudden hope.
Public-domain text, read in full here on John Shaqi.
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