As an instance of the unintentional perversion of facts, it is
interesting to recall the sixteenth and seventeenth century fables
of the headless men of the Caura, the _Ewaipanomo_. The banks of the
Caura are, in point of fact, inhabited by the Uayungomo branch of the
Caribs, a name sufficiently like to be possibly the same. Whether that
be so or no, a perusal of Raleigh’s and other original accounts gives
the impression that some member of one of the shorter aboriginal tribes
told the white men, by signs, that in the direction of the Caura were
men whose shoulders were above their heads (_i.e._, the heads of the
speakers). I put this forward as a plausible hypothesis for the origin
of the fable, which may not commend itself to all, but may be compared
with that advanced by various writers to explain the legend of the Amazon
communities of this region.
The story of manless villages and tribes was told (and doubtless is
still told) to nearly all travellers in Guayana and Brazil, and it has
been suggested that the statements are founded upon actual attempts at
emancipation on the part of small groups of women intelligent enough
to realise the light esteem in which they were held in the social
organisation of the Indians, and their worthiness of better treatment.
These banded themselves together in free villages in remote parts of
the forest, were seen at times by, or perhaps fought with, members of
the normal tribes, and so gave rise to a legend of a nation of warlike
independent women living somewhere, but no man knew where.
To return to the Caribs, we find these peoples at the present day
inhabiting the forests along the banks of the Caroni, Parana, and Caura
almost entirely, and particular regions on the Upper Orinoco and its
tributaries, notably the Ventuari. They are still among the best formed
and most intelligent natives of Venezuela, and retain in their native
haunts the many industries by which they long ago learned to support
themselves upon the produce of the forest lands.
Public-domain text, read in full here on John Shaqi.
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