The British-built and owned La Guaira-Carácas railway accomplishes the
climb in about 23 miles, the ruling gradient being 1 in 27 to the head
of the pass at 3,200 feet, whence it descends 200 feet to the city. The
chief feature of the line is the small radius of the curves, some of
which are so sharp that it has been said that the guard at the rear of
the train can whisper to the driver. For much of the distance there is a
splendid view over the Caribbean, and as the line climbs higher up into
the gorge the train is often only a few feet from the edge of precipices,
with a vertical drop in some cases of over a thousand feet. De Lesseps
said that there was only one dangerous part of the line, but that
that extended from La Guaira to Carácas. The whole is a fine piece of
engineering, and, notwithstanding the theoretical risks, there has never
been an accident to a passenger train, thanks to the energetic management
and splendid system of _vigilantes_, or watchmen, ever on the lookout for
landslips as well as for faults in the permanent way.
Carácas stands on the north bank of the River Guaire, on the inner slope
of the coastal cordillera. The northern part of the city is thus higher
than the southern. Founded in 1567 by Diego de Losada, its equable
climate at the elevation of 3,000 feet and the fertile valley in which
it lay soon attracted the Government away from Coro, on the hot, barren
plains near the Gulf of Venezuela. The minimum temperature recorded in an
average year may be as low as 48° F. (this, of course, at night), but,
in general, days and nights are mild, and only in the middle of the year
is the air uncomfortably warm at any time of the day. The population was
estimated as 90,000 in 1904, and suburbs bring the total to over 100,000.
It would be obviously unfair to institute a comparison between a city
of this size and any of the better known capitals of Spanish-American
republics, but, considered purely on its own merits, the capital of
Venezuela has much to commend it, and undoubtedly exerts a peculiar
fascination over most of those who visit it.
[Illustration: PLAZA BOLIVAR: VALENCIA.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account