Art -- Italy -- Venice; Venice (Italy) -- Description and travel
If you have any doubt as to where Murano is, look for a great black
cloud hovering over an island; and you may be sure that there are the
glass factories of Murano. Glass-making is the only industry now
practised in the lagoon. The factories are no longer numerous, Murano
having declined from her ancient splendour. The secret of the magician
is exposed; and Murano has no longer the monopoly of bevelled
mirrors, great glasses, and crystal balls. Such work is executed in
Birmingham quite as well as in Murano. The old art is lost. Still,
Murano is interesting. There is perhaps more life in it than in any
other of the islands. Workmen sift glass upon the pavement; women, at
the doors, sit busily knitting, or stringing beads; fishermen, clothed
in a dark greenish grey, are disentangling their nets, which hang over
the boats in apparently inextricable confusion; there are street
vendors of all kinds, calling out the nature of their wares to the
passerby. There are five thousand inhabitants in the city of Murano.
Its grand canal is almost as broad as that of Venice. The beautiful
palaces, with their doors and windows of marble,--some of red Verona
marble, some deeply enriched with mouldings, others with arcades of a
singular grace and delicacy--are now inhabited by the very poorest of
the poor. The church of San Donato, the Matrice or mother church of
Murano, stands in a field of fresh green grass. It is said that a
virgin appeared in a vision to its founder, Otho the Great, showing
him this very meadow overgrown with scarlet lilies, and bidding him
erect a church there in her honour. Murano, on the whole, is a
dreary little town. Wealth, beauty, and elegance have passed away; the
country is devoted to cabbages and potato patches. Still, it has charm
even in its decay. How beautiful Murano must have been at the time
when Cardinal Bembo and so many famous literati lived there! It must
have been an earthly paradise, with its luxurious vegetation, lordly
palaces, and magnificent gardens. In this city the horse is a quaint
and unexpected animal. He is not wanted. He is quite as ridiculous and
useless as a unicorn would be in the streets of London. He annoys one,
this strange beast,--making one think of mountains, valleys, fields,
trees, streets, and carriages, at a time when one is eager to be
satisfied with sparkling lagoons, gondolas, and a palace for hotel.
[Illustration: MRS. EDEN'S GARDEN IN VENICE]
The gardens in Venice have a character all their own. They are highly
prized, for space is scarce. The soil is rich, formed of lagoon mud;
but only certain plants will grow freely in it--because of the salt
air. The variety that will bloom, however, is quite enough to make a
good show--flowering and aromatic shrubs, roses (especially banksia),
most bulbs, and (blooming the finest and happiest of all in Venetian
soil) carnations, the "garofoli" which play so large a part in Italian
love-stories.
Public-domain text, read in full here on John Shaqi.
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