Art -- Italy -- Venice; Venice (Italy) -- Description and travel
There are now at Saint Blaise no pastoral and poetic places where
lovers could stroll hand in hand by the pale moonlight: the gardens,
somewhat marshy, are cultivated principally for market purposes. The
Giudecca Canal is the commercial harbour of Venice. The churches of
Redentore and Maggiore lie on the farther side of it. In this canal a
group of small vessels lie all day long at anchor--twenty or thirty of
them, laden with wood brought from the Istrian coast, and sold in
Venice. When it has been disposed of, the captain calls his crew from
the distant cafés and wine-shops, releases the watch-dog from his post
on deck, weighs anchor, and creeps down the Adriatic to reload again
with fuel. This is all the Venetian commerce of to-day--this and a few
beads, glass, wood-carving, lace, and bric-à-brac, such as would
scarcely load a modern trading-ship. Nine hundred years ago the trade
of Venice was important. By the close of the eleventh century, the
city was commercially supreme in Europe. Yet she manufactured nothing.
She was supreme simply by the exercise of the merchant's calling. She
was Europe's greatest ship-owning power and commercial head. Her
merchants, conveying cloth, velvet, serge, canvas, various precious
and commercial metals, glass beads, and other goods, received in
return drugs, spices, dyes, precious stones, rugs, silks, brocades,
cotton, and perfumes, which were sold at a high rate of profit. The
population of Venice was then two hundred thousand; the annual exports
were valued at ten million ducats; there were three hundred sea-going
vessels, eight thousand sailing vessels, three thousand smaller craft,
seventeen thousand mercantile sailors, and a powerful navy with eleven
thousand able-bodied seamen.
San Giorgio is of note as the place for red mullet from the Adriatic.
Nothing equals the fish: none other is so appetising, so red and fresh
in colour--one would feel inclined to eat of it if only for its hue.
The best place to procure mullet is in a certain tavern where
gondoliers and sailors mostly congregate: here they can drink wine
free of duty. The tavern is invariably filled with such men, all
stretched out on benches round the table. San Giorgio is the
place for sunsets also: from nowhere else in the lagoon can one see
such a marvellous variety, such changes of sea and sky. The church
possesses a wonderful Entombment by Tintoretto.
[Illustration: BY A SQUERO OR BOAT-BUILDING YARD]
San Servolo is a very small island beyond San Giorgio, yet one of the
brightest jewels in the coronet of the lagoon--almost entirely covered
with buildings.
Public-domain text, read in full here on John Shaqi.
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