Art -- Italy -- Venice; Venice (Italy) -- Description and travel
In the days of her decadence, in the eighteenth century, the
tightly-laced, lackadaisical men and the hooped and brocaded women of
Venetian society lived a curious, aimless, artificial life. Their
greatest pleasure seems to have lain in gossiping, eating, drinking,
and generally struggling to kill time. It was an inane life, frigid,
without freedom, without heart, without strong emotion. All pleasures
seem to have been carried out by rule. Even the laughter and the jokes
were artificial. There can be but small wonder that society fell into
broken fortunes.
The ideal nobleman of to-day is a stronger, more active, finer person
altogether than his senatorial ancestor. His character is healthier.
He adopts more or less a country life. He owns property on the
mainland, and is very much occupied in trying to make it pay. He rears
cattle, grows crops, makes wine on his own premises, is interested in
silk-growing and in model farms, and competes for agricultural prizes
offered by the Government. His Venetian palace does not interest him
greatly. He spends a few months there in the season, gives one or two
large entertainments, and is constantly making alterations and
improvements; but his heart is in the country, and he leaves Venice
for his rural palazzo on the slightest pretext. This Venetian noble of
to-day thinks a great deal of himself. His temper is haughty, and
there is no softness or geniality about him. Nevertheless, he is a
decided improvement.
What society there is still to be found in Venice is constituted by
foreigners, mainly English and American. One of the great things to be
done is to take a gondola and go to the Canal of the Slaves, beyond
the public gardens on the island of St. Peter--to the home of an old
fisherman celebrated for his fish dinners. This fisherman's cottage is
just as celebrated in Venice as the Trafalgar Hotel in London, or the
Ship Tavern at Greenwich, or La Rapée in Paris. Here, however, is a
more picturesque environment--boats drawn up on the yellow sand, nets
stretched to dry in the sun, planks forming a landing-place in front
of the houses--all is very simple. One eats the fish dinner in a
garden, under an arbour shaded by vines, where flowers and edible
vegetables grow in charming but ill-kept confusion. The host is
jovial; his wife, a great authority, is the cheerful mother of
many children.
[Illustration: THE FISH MARKET]
Public-domain text, read in full here on John Shaqi.
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