Art -- Italy -- Venice; Venice (Italy) -- Description and travel
If one is at all interested in gondolas--that is to say, in the making
of them,--nothing could be more fascinating than to spend a few hours
in a squero (building yard). Any gondolier will be pleased to take
you there, for he is inordinately proud of his craft. The squeri are
picturesque; but somehow one always associates them with pitch. The
place reeks with it. Always in one corner there stands the pitch-pot,
sending a stream of thick black smoke up into the air. Small boys
prance around, looking like young imps among the smoke and blaze, and
wave smearing brushes in their hands. Long lines of boats, like some
strange fish out of water, are drawn up, waiting to be cleaned or
mended. The bottom of a gondola has to be dried thoroughly and quickly
before receiving its coat of melted tallow. This is done by lighting a
blazing fire of reeds under the boat, the flames leaping high into the
air. Volumes of smoke arise, roll up over the house-tops, and are
swept away by the breeze. Boys dance a kind of war-dance round the
flames. The art of gondola-building is exacting. Three qualities are
absolutely necessary to the formation of a perfect craft. It must draw
but little water; it must turn easily; and it must be rowable by one
oarsman only. To secure this, the hull is built of light thin boards,
and only a portion of the flat bottom rests upon the water. Thus the
boat swings as on a pivot. Then, the gondola is not equally divided by
a line drawn from stern to bow: in order that the rower may be
balanced, there is more bottom on one side than on the other. The
various woods of which a gondola is made must be chosen with great
care. They must be well seasoned and without knots, for the planks are
liable to warp and the knots to start. Once every twenty days in
summer the gondolier forfeits his four lire and takes his gondola to
the squero to be cleaned and scraped. Weeds rapidly collect at the
bottom when the water is warm, and the deadly toredo bores holes
through the planking. The gondola is hauled up high and dry, and a
fire burnt underneath it. A whole day's earnings in the summer season
is a great loss to the gondolier; but if he keeps his gondola in good
condition it will last him for a considerable time, perhaps for five
years, and, besides, when the bottom of the boat is kept clear of
weeds and well greased the speed is greater. When a gondolier sells
his craft it becomes a ferry-boat for five years, the woodwork slowly
bowing and bending until it becomes a gobbo half buried in the water.
Later it is sold for five lire, broken up, and burnt in the glass
manufactories of Murano.
[Illustration: A SQUERO OR BOAT-BUILDING YARD IN VENICE]
Public-domain text, read in full here on John Shaqi.
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