Art -- Italy -- Venice; Venice (Italy) -- Description and travel
The gondola is so closely connected with the life of the sea city that
most of one's impressions of Venice are wound round and about it. It
is not always safe out on the lagoon in a gondola. Often in summer or
in autumn a gale will suddenly arise. Great masses of cloud will
gather in the east, and gain upon you; they are curved into an arc by
the pressure of the wind from behind, although upon the water there is
scarcely enough breeze to fill a sail. These great billowy battalions,
dark and angry, advance slowly, steadily; the water changes from a
pale transparent to a pale sea-green as thick as jade. A feeling of
oppression fills the air, a brooding stillness, for five minutes,
while the storm-clouds gradually overtake you. Then comes a low
humming noise like that of a threshing machine: it is the wind on the
nearest island. You down sail and make for the first port in view. The
hurricane leaps out from the city, striking the water and tearing it
into foam, flinging the spray high in air. There is hurry and
confusion in the sky; the thundery clouds are rent and riven; and
through the gaps of dull-coloured vapour you see the steely blue of
the storm-clouds boiling as in a cauldron; and far above all is blue
sky and sunlight; a rainbow spans the lagoon. Then the whole tornado
sweeps away south-westward. The sun sets, leaving the sky dark, but
with flaming streamers; then night falls over all. There is lightning
and storm away in the distance. The heavens assume their customary
deep blue, and the breeze is fresh and cool. These summer storms are
sometimes almost tropical in their fury; but they are quickly over.
Their path is narrow--usually confined to one line on the lagoon;--but
where they strike they leave devastation in their track.
Public-domain text, read in full here on John Shaqi.
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