Art -- Italy -- Venice; Venice (Italy) -- Description and travel
On an evening of late September Venice revealed herself to one of
her lovers amidst a spectacle beyond any range of dreams. Evening
was closing in upon the city with cloud and breeze. In the church of
San Giorgio Maggiore the Tintorettos gleamed dimly from the walls;
daylight was gone. But in the tower high overhead, clear of the shadows
of confining buildings, the day had still a course to run. The tide
was low, and land and water stretched out in interchanging coils of
olive and azure beneath a purple storm-cloud, whilst ever against the
bar of the Lido rolled the sea, dyed with that celestial blue that
sometimes steals from the Adriatic into the basin of San Marco to
prostrate itself at the conquering Lion’s feet. And there lay Venice,
her form outlined against a flood of pearl, the water bending in a
tender, luminous bow behind her towers. Far away, across the mysterious
expanse of low lagoon, Torcello and Burano gleamed out in startling
pallor against the storm, amid a wild confusion of dark earth and
glittering water. The Northern Alps were hidden in darkness at the
horizon, but westward across the mainland the clear, sharp peaks of
the Euganean hills rose up behind the city’s pearly halo, behind the
deep blue of the surging lowlands, in almost unearthly outline against
the sunset sky. In front of them a livid fire rolled sullenly along
the valley, sending up purple smoke into the cloud. The storm genie,
summoned by nether powers, was descending to his fearful tryst behind
the Euganeans, but, as he sank, he bent his face upon the pale form
of Venice, his enchantress, and the fire of his wonder and of his
adoration kindled in all her slumbering limbs a glow of responsive
life. A flood of crimson suffused the pallor of her pearly diadem, and
her maidens, sleeping grey among the waters round her, unfolded rosy
petals upon the surface of the lagoon.
Public-domain text, read in full here on John Shaqi.
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