Art -- Italy -- Venice; Venice (Italy) -- Description and travel
they are sparing and very modest; outside they are very liberal. The
city of Venice retains its old manner of dress, and they never change
it; that is to say, they wear a long garment of whatever colour they
choose. No one ever goes out by day without his toga, and for the most
part a black one, and they have carried this custom to such a point
that all nations of the world who are lodging here in Venice, from
the greatest to the least, observe this style, beginning from the
gentlemen to the mariners and galleymen; a dress certainly full of
confidence and gravity. They look like doctors of law, and if any were
to appear outside his house without his toga he would be thought a
fool.” Without doors the women also belonged to this sober company,
or at least the marriageable maidens and those who were no longer of
the number of the “belle giovani”; so sombrely were they covered when
outside their houses, and especially in church, that Casola says he at
first mistook them all for widows, or nuns of the Benedictine Order.
But for the “belle giovani” it is another matter; they give relief to
the week-day sobriety of these Venetians, so decorous and black when
off duty, though revelling in such richness of velvet and brocade when
the trumpet of a public function stirs their blood.
[Illustration: THE SHADOW OF THE CAMPANILE.]
We are indebted to Casola for a picture of a Venetian domestic festival
at the birth of a child to the Delfini family. He realised fully that
he was admitted, together with the orator of the King of France, in
order that he might act as reporter of Venetian magnificence. It was
in a room “whose chimney-piece was all of Carrara marble shining as
gold, so subtly worked with figures and leaves, that Praxiteles and
Pheidias could not have exceeded it. The ceiling of the room was so
finely decorated with gold and ultramarine, and the walls so richly
worked, that I cannot make report of it. One desk alone was valued
at five hundred ducats, and the fixtures of the room were in the
Venetian style, such beautiful and natural figures, so much gold
everywhere, that I know not if in the time of Solomon, who was King of
the Jews, when silver was reputed more vile than carrion, there was
such abundance as was here seen. Of the ornaments of the bed and of the
lady ... I have thought best rather to keep silence than to speak for
fear I should not be believed. Another thing I will speak the truth
about, and perhaps I shall not be believed--a matter in which the ducal
orator would not let me lie. There were in the said room twenty-five
Venetian damsels, each one fairer than the last, who were come to
visit the lady who had borne a child. Their dress was most discreet,
as I said above, _alla veneziana_: they showed no more than four to
six finger breadths of bare neck below their shoulders back and front.
These damsels had so many jewels on their heads and round their necks
and on their hands--namely, gold, precious stones and pearls--that it
Public-domain text, read in full here on John Shaqi.
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